Author Archives: residentjudge

‘La Mujer sin Lagrimas’ by Mayra A. Diaz

LaMujerSinLagrimas

88 pages, alternating Spanish and English

Well, I’d been frustrated by Easy Spanish retellings of longer, classic stories that moved too quickly in a stripped-down fashion (for example, the Easy Spanish versions of  Alice in Wonderland and Don Quixote) but this book went to the other extreme with an excruciatingly slow story in much detail.

Sixty-five year old Ana, who has three adult sons and grandchildren, has been going from doctor to doctor, trying to find relief for her dry eyes that cannot shed tears.  Her son Paco finally takes her to see Dr Rodriguez, who quickly realizes that Ana’s inability to cry is more psychological than physiological. Eventually Ana divulges a secret that she has kept from her husband and family.

Actually, the level of this was just right. The chapters were long enough – about twenty lines in length – and they were followed immediately by the English translation. On the Kindle app on my tablet I was able to make the text large enough that the Spanish took up the whole page so there was no surreptitious cheating. The English version made you realize how choppy the tenses were (I hadn’t noticed in Spanish) or perhaps it’s a clunky translation.

And it was, at least, an adult story that actually captured my interest somewhat. It’s a rather low bar on these Easy Spanish books, I must admit. Anyway, this was quite good, considering.

 

‘Living the 1960s’ by Noeline Brown

living-the-1960s

2017, 177 p. NLA Publishing

In choosing Noeline Brown to write this book, the NLA was obviously going for popular culture and a dry sense of humour- and they got it. I can remember Noeline Brown in the Mavis Bramston show : indeed, she was Mavis Bramston in the pilot and first five shows. When she went off to England (as most 1960s show business and music people did) she was  replaced by Maggie Dence who became better known as the face (and hat) of Mavis Bramston.

I must confess that this slap-stick style of humour doesn’t really appeal to me, and Noeline Brown’s career, most of which was on commercial television, mostly passed me by.  I remember her in Gough Whitlam’s ‘It’s Time’ advertisement and I was aware of her in the support that she gave to Graeme Kennedy as his health failed. She has been an Ambassador for the Aging, and recently received a lifetime achievement award from Actors Equity.

There are eight chapters in the book: politics, the arts, music, fashion, family life, our town, women and sport. The text is conversational in tone, and interweaves  Brown’s own personal anecdotes between snippets of information.  It’s largely a young-person-at-the-time’s guide to the social life of the 1960s, and as might be expected from a stage and television personality, very much based in the realm of music and the popular arts.  It’s a very light touch, with no theoretical framework or bibliography at all. It’s an easy and undemanding read and the sort of book that can be picked up for a chapter or two, then put down.

The book is generously illustrated with images from the National Library’s collection, and includes political ephemera, photographs by Rennie Ellis and Wolfgang Seivers, and magazine advertisements and photographs ( drawn most particularly The Australian Women’s Weekly). The layout is beautiful, as is the case with most NLA books. There are small breakout boxes of timelines and facts, and page-length featured topics, but the photographs do most of the work. It focuses mainly on Sydney and Melbourne, is probably more focused towards women, and rural life is barely touched at all.

The book, with Brown’s narrative as voice-over, felt very much like a back-to-the-sixties television documentary, full of nostalgia and wry amusement.

Source: NLA publishing review copy through Quikmark Media

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I have posted this review to the Australian Women Writer’s Challenge site.

[P.S.  A little plug for something close to my heart:  If you’re interested in local history of the ’60s in Melbourne, and if it’s still November 2017, why not visit Heidelberg Historical Society’s ‘Remembering ’67’ exhibition? It’s open on Sundays 2p.m. – 5.p.m on 12th, 19th, 26th November at the Heidelberg Historical Society Museum, Jika St Heidelberg, entry $5.00]

 

 

 

‘The Philosopher’s Doll’ by Amanda Lohrey

Lohrey_Philosopher

2004, 306 p

It’s a strange thing, re-reading a book. You’re not the same reader that you were the first time and the context in which you’re reading the book is often very different. I read Amanda Lohrey’s The Philosopher’s Doll soon after it was released back in 2004, straight after reading two big, fat books: The Sotweed Factor and Tristam Shandy. At the time I leapt on it because it was local, domestic and female in comparison to the two hefty tomes that preceded it. Now, twelve years later I’m reading it again, this time for my face-to-face bookgroup. I didn’t view it quite as kindly the second time round.

The book is set in Northcote  with social worker Kirsten trying to summon up the courage to tell her husband Lindsay about her pregnancy. Lindsay does not want children, (or at least, not yet) and Kirsten is aware that she has fallen pregnant in benignly deceptive circumstances. Her philosophy lecturer husband Lindsay, on the other hand, thinks that all she needs is a dog to settle her maternal urges and so he embarks on a secret plan to buy a pure-bred Chow, a breed whose aloofness appeals to him. The dog is not Lindsay’s only secret: he is also receiving letters from an infatuated doctoral student, Sonia,  that he just puts away for now, not telling anyone about them.

The book is presented in four parts, and this part of the storyline plays out in the first two parts over a matter of several weeks. It is told in the third-person present tense (a tense that I don’t enjoy much) and the two perspectives are interwoven. Then, abruptly, in the third section, the infatuated student Sonia is speaking in the first person, past tense, some ten or more years after the events first part of the book.  Things have changed, and we see them in their new form, but not how they arrived at that point. Coincidences may be more planned than they appear, some mistakes are replicated and new ways of being are learned and embraced.

This is a very Melbourne book, and as a resident of the northern suburbs, I could pinpoint almost to the street – James Street, Northcote do you reckon?- where Kirsten and Lindsay lived. In this regard, the book has Garnesque features, but it is burdened with a didactism that you don’t find in Garner’s work. Lindsay’s occupation as philosophy lecturer gives scope for digressions into the emotional capacities of humans v. animals, and the question of the rhetorics of the heart. The final section of the book launches into a discussion of stunt -no – precision flying that almost sinks the book, if the lengthy retelling of dreams hasn’t already done so.

Does the book need all this philosophy trowelled onto it? I tend to think not. I felt a little betrayed as a reader by the abrupt change half way through, and as if I were sitting through a boring, one-sided conversation in the philosophical parts.

Reading back on the review that I wrote on this book back in 2004 (before I started this blog), I didn’t mention any of these criticisms. Did I just read it as a Melbourne-based story, and did I skip the philosophy? Or did I enjoy the philosophy perhaps?  Have I changed since then? Or am I more conscious of Lohrey’s earnest spiritual intentions in writing now after reading A Short History of Richard Klein, which I found even more didactic than this book?

Sourced from: C.A.E. Bookgroup

Rating: 6.5/10

aww2017-badge I have posted this review to the Australian Women Writers Challenge site.

Popping up at the Globe

The Pop-Up Globe Theatre has arrived on the lawns outside the Myer Music Bowl. It’s a full sized replica of the second Globe Theatre, which opened in 1614 after the first Globe burnt to the ground.

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It has three covered tiers, with the open area in front of the stage for the groundlings exposed to the weather and whatever (fake) bodily or other fluids the actors might spit, spew or fling at those who have opted to stand for over two hours for a very much reduced price. The theatre is only small and it’s all delivered live and with no microphones on the actors. They use the whole theatre: scaling up the three-tiered set, running amongst the groundlings, and clambering over boxes.

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We saw ‘Much Ado About Nothing’. It was absolutely fantastic. I always feel a prickle of anxiety that the dialogue is moving too quickly and that I’m not ‘getting it’ when watching  Shakespeare plays that I’m not familiar with. But always, by the end of the play it all makes sense. And what really made sense here were the parts of the plays that tend to drag when reading them on paper, where the actors are interacting with those sodden groundlings, making up time in soliloquies or slapstick, so that other characters can locate themselves on different levels of the set.

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This particular reading of the play had a strong Maori/Islander influence. The singing was excellent. There’s lots of audience interaction and it’s a damned fine performance.

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Don’t hesitate- go and see it! In fact, they have a 2-for-1 offer in November. If you’re young and with stamina, being a groundling would be fun. If you’re old and creaky, shell out for a seat. It’s right up there with a performance of Richard II in Stratford-on-Avon ten years ago as one of the best Shakespeare experiences I’ve had.

All a-twitter

No, not Donald Trump’s past-time, but the real twitter, with wings and beak etc. I may not have mentioned here that I have always had an interest in birds. Right from joining the Gould League of Bird Lovers in primary school, I’ve been alert to rustles in the bush and the sound of birds around me. I was over in Adelaide recently, and was hoping to see some Eastern Spinebills that enjoyed a particular bush in the garden where I was staying but alas – no sighting. And this week there has been news that the Scarlet Honeyeater has been seen in Melbourne gardens but not, unfortunately, in mine.

Scarlet Honeyeater

Scarlet Honeyeater. Image by Greg Miles Wikimedia Commons. https://www.flickr.com/photos/gregbm/5449916547/ Scarlet Honeyeater

But what I did have in my garden, or nearby, was a bird that I couldn’t see but could hear as it made a repeating call like the first four notes from ‘Close Encounters of the Third Kind’. (And now you’re all humming the notes yourself, or scrabbling to look them up on Google, aren’t you?) I, too, looked up on Google to see if I could find ‘bird that sounds like Close Encounters of the Third Kind’ but without success.  What I needed was a Shazam for bird sounds, I decided, and it appears that there are some apps that claim to be just that.

When I read about the Scarlet Honeyeater, I thought “Aha! Perhaps that’s what I heard” and turned yet again to Professor Google to find the call of the Scarlet Honeyeater. Which is how I stumbled onto Graeme Chapman’s excellent site at http://www.graemechapman.com.au/index.php

What a wonderful resource! Beautiful pictures of birds and a huge sound library.  Was my Close Encounters bird (which obviously wasn’t close enough!) a pied butcherbird perhaps??  I suspect that Anthea might pop up in the comments and know exactly which bird I was hearing.

Later: And look! – IF it is a pied butcherbird, then the Adelaide Symphony Orchestra is playing a special piece which incorporates its call. The composer, Hollis Taylor, describes the pied butcherbird as “perhaps the world’s finest songbird”.

Movie: Battle of the Sexes

Well, it’s certainly not a subtle movie, but nothing about the whole Billie Jean King vs. Bobby Riggs circus was. Still, I found myself shaking my head: not at Riggs’ chauvinistic and confected antics, but more at the underlying, unspoken sexism that surrounded all aspects of life the 1970s. There’s not a lot of nuance in this movie and it was all a bit too feel-good for my liking, but interesting none the less.

My disdain for Margaret Court’s recent public forays was heightened by watching this movie. I shall say no more.

And seeing this real-life clip from the match, I’m impressed with the fidelity of the film’s reproduction. (Although the audience seems rather lacklustre here, I think)

My score: 3/5

‘The Catch: The Story of Fishing in Australia’ by Anna Clark

clark_thecatch

2017, NLA Publishing, 145 p.

In a beautifully presented book, the “story” (but really, the “history”) of Australian fishing is told by historian and fellow fishing enthusiast, Anna Clark. This shared love of fishing permeates the text of this  book, not just in the “we” language that Clark deploys, but also in the carefully crafted ‘fisher’s-eye’ paragraphs that commence each chapter. Here, for example, is the start to the chapter ‘Early Industry’ that takes us right into the boat with a single fisherman in his small boat:

The boat glides out of Albany and sails across the sheltered waters of Princess Royal Harbour. A breeze skims across the bay and fills the sails- just enough to push the little boat along into the incoming tide to set the nets.  There’s plenty to catch here, and the fisherman fills his woven baskets with herring, whiting and bream, with a few skipjack and pike thrown in for good measure.  But there’s not much point chasing the big hauls, since the fish go putrid after a day or two ashore- and anything left over has to be buried. (p 49)

Or here we are on a modern commercial fleet ship:

The engine’s running and its gentle throb can be felt through the humming deck. Filleting knives are neatly lined up by the cutting boards near the ship’s bow, someone’s hosing off the blood from this morning’s catch and there’s a constant and slightly unpleasant smell of fish.  In the centre of the deck is a little hatch with a lid. Inside, a steel ladder drops down to the icy hold below. It’s dark and filled to the brim with neatly stacked ten-kilogram boxes of fish fillets, snap frozen by the boat’s powerful compressor. They sit waiting to be unloaded and taken away by refrigerated truck to the city’s markets. (p.97)

As well as capturing the tone of the narrative, these two opening paragraphs encapsulate many of the themes of the book: the joy of fishing, the deceptive abundance of fish, the problem of wastage and storage and the effects of technological change.

Published by the National Library of Australia, this lavishly illustrated book shares the high production values of its other volumes, and draws generously on the holdings of the library in photographs, maps and diagrams.

The book starts with indigenous fishing, which was described at length by Cook and Banks to illustrate the abundance of the eastern coast, and which was captured in many of the early drawings and paintings of New South Wales.  The amputation of the pinky finger on Eora fishergirls made it easier to use a line for fishing. It attracted the attention of these early commentators and was clearly shown in convict artist Thomas Watling’s drawing of Dirr-a-goa in the 1790s, while the term for the amputation, “Mal-gun”, was noted in William Dawes’ notebook of translations of Eora words.   However, as Clark notes:

While early colonial sketches and paintings give wonderful snapshots of Indigenous fishers, they do so from a distinctly European perspective.  Written accounts are similarly revealing – and we should be grateful for the faithful record of fishing practices and winning catches they’ve produced- but we can’t forget that these early settlers viewed Indigenous society through a distinctly colonial lens. (p. 17)

Indigenous perspectives on fishing come through the presence of scar trees where bark has been excised to build canoes, the remnant fish traps in rivers, shell middens and through indigenous carvings and paintings of fish.  This indigenous perspective is not relegated to the obligatory opening chapter, but instead continues through the book, with the continuation of fishing at riverside and coastal Aboriginal missions and Traditional Owners claims on traditional fisheries.  As she points out, fishing participation rates among in the Indigenous population sit as high as 92% in some communities, and it is an integral part of connection to country and cultural knowledge. (p. 132)

The abundance of fishing was reported by Captain Cook, and the First Fleet was well equipped to take advantage of it. However, Governor Phillip was less effusive, reporting that some days the fish were there- other days not. The photographs in the book – taken specifically to celebrate the size  of the catch – highlight abundance, but the text tells another story as fishing grounds are fished out and one species of fish collapses after another.

Another theme is the ongoing contest between competing interests. Colonial gentlemen craved the manly sport of fly-fishing and introduced European species into Australians waters with sometimes catastrophic results. (I knew about the European carp, but to be honest, I didn’t realize that the trout was an introduced fish- shows how little I know!) The government supported the establishment of commercial fisheries and the storage and infrastructure requirements to transport fish to lucrative markets, but in response to political pressure, it has more recently championed recreational fishing and set aside no-go zones to increase stock numbers. The emergence of Senators representing recreational fishing interests is likely to keep this political contest alive.

I did find myself wondering who this book is aimed at.  Its appearance just prior to Christmas is, I’m sure, well-planned. Its copious and beautiful illustrations mark it out as a coffee-table book, but the text ranges beyond the ‘whoa! look at that!’ response to a photograph of a big fish. Its author, Anna Clark, is well known in academic circles for her work on public history and history teaching and she brings to the book an awareness of sources and a keen sense of finding history in the everyday.  Most importantly, she brings her own love of fishing to the text, and I think that this is what fishers will respond most to in this book.

Sourced from: Review copy from Quikmark Media and N.L.A.

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I’ve included this book in the Australian Women Writers Challenge.

‘The Story of Conscription’ by Leslie C. Jauncey

jauncey

1968 reprint with foreword by Patrick O’Farrell, 1935 original text, 365 p.

Even though I have an ambivalent relationship with the tsunami of commemorative activities related with WWI, there may be a little flurry of book reviews related to the 1916/7 Conscription debates over the next month or so. As part of my work with Heidelberg Historical Society, I write a feature in our newsletter that looks at the Heidelberg-Ivanhoe district a hundred years ago. In December 1917 the second ‘referendum’ about conscription was held, and I’m speaking to our December meeting about how this Australia-wide political event played out at the local level a hundred years ago. Hence, my interest in conscription over the last year or so though historic walks (see here and here), a conference and the books in which I’m immersing myself at the moment.

A year ago I attended the launch of recently-published The Conscription Conflict and the Great War, which I reported here.  I finally started reading it this week (books sit around on my desk for a long time!) In the introduction it was noted that there was little discussion of the conscription conflict as a distinctively Australian experience, and that “there has been no book length treatment of the conflict since Leslie Jauncey’s effort to document some of the key actors, development and sources in 1935″(p.6).  Well, I thought, I don’t know anything of what Jauncey said, so I shut The Conscription Conflict and chased down Jauncey’s book The Story of Conscription in Australia instead. After all, if a book is offering “new interpretations”, perhaps I should know what the old interpretations were first.

Jauncey? Where have I read that name before? Then I remembered that it was a section on the Honest History website, where various authors took on the mantle of blogging as Jauncey.  As well as writing The Story of Conscription, Jauncey also wrote about the Commonwealth Bank, visited Russia, lived in America and was of interest to the FBI as a possible (but unproved) Communist.  What is interesting about this 1935 book is that it was republished with a foreword by Patrick O’Farrell (historian of the Irish and the Catholic Church in Australia) in 1968, during the Vietnam war when conscription was again to become so controversial. This foreword, now itself nearly 50 years old, criticizes the book for its one-sidedness (a very valid criticism) but also for its downplaying of factors in 1916/7 that were seen in 1968 to be far more significant than Jauncey suggested: most particularly, the role of the Catholic Church, farmers concerned about their labour supply and the socialist and industrial movements.

I’m not sure that Jauncey dismissed these factors as much as O’Farrell accused him of doing in 1968, but it is certainly true that Jauncey’s approach privileged the religion-based groups who opposed compulsion, both in relation to conscription and to the Compulsory Military Training scheme which preceded it.  As O’Farrell points out, Jauncey draws heavily on a book published in 1919 by J. F. Hills and John P. Fletcher, members of the Society of Friends (Quakers),  called Conscription Under Camouflage. In this post-war book, Hills and Fletcher had compiled newspaper clippings, pamphlets and official materials relating to compulsory military training, which they and the Australian Freedom League (formed 1912) opposed, even before the commencement of WWI.

It is this approach based on document-collection that Jauncey takes up in The Story of Conscription in Australia. As Jauncey writes near the end of the book:

Those people in Australia who have during the past twenty-five years collected valuable data on militarism and suppression should pool their priceless information so that it might be available at a minute’s notice. To-day [i.e in 1935] this material lies scattered all over Australia, being in cellars, lofts, sheds, and other places. Every year some of it is lost. If this data is not soon gathered and catalogued, it will be lost for ever. (p.348)

It’s perhaps no surprise that, as O’Farrell points out, Jauncey’s book could easily be called ‘Selected Documents of the Anti-Conscription Movement’ (p. ix). Many of these pamphlets and letters are reproduced in full, and there is an emphasis on the manifestos and motions passed during meetings of anti-conscription and pacifist groups. There is, as O’Farrell points out, no ‘behind the scenes’ material, and “one is left with a host of questions about motivations and feelings and atmosphere”.(p. xi)

Nonetheless, even if this book is, as O’Farrell says, “a chronology of what happened rather than a detailed analysis of why”(p.xi), then it has to be said that it does the ‘what happened’ well. It is organized chronologically, taking its starting point from the introduction of Compulsory Military Training and the Defence Acts of 1903-1912. Pacifist groups opposed the compulsory nature of this training from the start, but their critique was muted in the early days of World War I, when there was almost unanimous support for the war. During the early days of publicity for the first conscription ‘referendum’ (a technically incorrect term, but in general usage), the ‘yes’ side was ascendant, but Hughes’ decision to issue a ‘call to the colours’ for all men of fighting age just prior to the actual vote shifted the sentiment, leading to a narrow over-all ‘no’ result.  Because of the closeness of the result, and  the pro-conscription Hughes’ election victory soon after the referendum, it was not surprising that a second referendum was foisted on the people in December 1917. In explaining the increased ‘no’ vote in this second referendum, Jauncey emphasizes the influence of the pacifist groups and their publicity of the plight of conscientious objectors in Britain and New Zealand under their conscription schemes. His treatment of the second referendum is relatively brief, comprising the final third of the book.

His closing pages, written in 1935, are interesting, knowing as we do what happened just four years later.  He celebrates the Peace Ballot, held in England in 1934-5 where supporters went door-to-door, polling 11.6 million people, 38% of the adult population, and half the number who voted in a general election five months later.

The results of the peace vote in England in June 1935 was a ray of hope in a European sky overcast with the threatening clouds of war and oppression. Over ten million people asked for continued affiliation with the League of Nations… By six to one voters in the peace ballot favoured the abolition of the manufacture and sale of armaments for private profit…Over 92 per cent of the ballots favoured economic and non-military measures against an aggressive nation, while the vote for military action against an aggressor was under three to one. (p. 351)

He noted the increasing expenditure on armaments, and the moves towards increasing the periods of compulsory military training in Switzerland and France, and English moves towards compulsory air-raid drills.  He predicted:

In general the peace movement today like all reform groups is waiting for something to happen that can be used to its advantage.  It is likely that actions of the militarists during the next few years will bring together large sections of the peace movement, resulting in an active organisation that will go further than ever before in the direction of removing the causes of war. (p. 355)

I wish he’d been right.

He ends his book with an affirmation in the faith of the ‘ordinary man’.

The anti-conscription movement in Australia showed that very little faith should be placed in the over-whelming majority of leaders as bulwarks against militarism. Archbishop Mannix of the Roman Catholic Church was the only authority in the Commonwealth who vigorously opposed conscription. Six out of seven of the Australian governments, together with almost all political, economic, and religious leaders, demanded compulsion. Yet against all this power and against the suppression and censorship of the time the will of the people prevailed against conscription. A determined people won. The “No” votes were those of the ordinary man and woman and of the ordinary soldier in the trenches.  The peace movement must concentrate on the ordinary citizen. After all, it is he who has to put up with most of the hardship of wars. A well-developed and organized public opinion against war and conscription can prevail. (p.353)

But it was not just Jauncey’s book that was overtaken by other events. In O’Farrell’s foreword, written in 1968, he notes that “…in 1943 or 1964, the conscription question did not become again a matter of such deeply divisive national passion” (p.xiv).  Although perhaps true for the introduction of conscription in 1964, the Moratorium marches of 1970 and 1971 eventually gave the lie to that statement, and perhaps vindicated for just a while, Jauncey’s more optimistic view of the power of mass political protests. Not for long though, when millions of protesters world wide were impotent to stop the Iraq war in 2003.  In the face of increasing expenditure on weaponry, and the sabre-rattling of ‘Little Rocket Man’ and ‘the Dotard’, I suspect and fear that we’re just as impotent today.

‘Death Sentence’ by Don Watson

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2003, 191 p.

I must confess that my heart sank when I saw that my CAE reading group book for this month was Don Watson’s Death Sentence. I had read it when it came out in 2003 and now  I struggled to re-read it for our meeting.  It seemed repetitive and unstructured, with just one argument repeated over again. So I was interested to dip back into my reading journal from 2003, prior to starting this blog, to see what I thought of it then. Here’s what I said in 2003:

An interesting reading experience, given that at the time I was reading RMIT’s Teaching and Learning Strategy as part of an assignment. This is part-diatribe, part-essay about the intrusion of managerialist language into places where it doesn’t belong. It certainly makes reading the ads in Saturday’s Age, policy documents and government advertising at all levels an exercise in cutting out ‘clag’. Knowledge Management as a discipline comes in for a particular serve. In many ways this is an extension of Orwell’s ‘Politics and the English Language’ but longer, and at times less disciplined. Good critique of the use of public and political language, but just a bit self indulgent. 8/10

I’m surprised now that I rated it so highly, but perhaps it was a new perspective back in 2003. After all, in the midst of a Howard Government, we hadn’t at that stage been deluged with Rudd’s verbal sludge, which made Watson’s critique almost self-evident.

The book itself has several unnamed chapters, marked only by a blank page separating them from the previous chapter. It’s hard to work out quite how one chapter differs from the next, or if there is a theme to distinguish one chapter from the other, especially as the book goes on.  The pages have a wide margin, in which are quotes from other texts: some pithy and elegant; others the type of verbal glue that he declaims against.  I can’t help feeling that the book is too long: that it would have been better served in a Quarterly Essay format of a lesser length.

Some fourteen years on, I suspect that Watson’s howl of anger is more about the application of managerial thinking as a construct, rather than the language itself (although the two are, admittedly, inseparable). It’s something that I abhor too, and I’ll have more to say about it anon.  However, I think that programs like the ABC’s brilliant parody of the National Building Authority Utopia have done much to skewer it, far more than this book with its arch tone could ever do.

Read because: CAE bookgroup choice

My rating (now): 6.5

‘El Quijote’ by Miguel de Cervantes

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1602, this version 2014, 96 p. Adapted by J. A. Bravo

Now, I concede that reading this classic in a version suitable for 7 year olds might not do it justice, but I’m glad that I didn’t struggle through the 1000 page version in English either.  Fortunately this 96 page version finished at the end of Part I.

Don Quixote, or rather Don Alonso Quixano, has been addled by reading too many books about chivalry and decides to become a knight errant himself.  He persuades his neighbour Sancho Panchez to accompany him, and the two spend an inordinate amount of time on fruitless follies borne out of Don Quixote’s hallucinations, or fighting and falling on the ground.

I know that it’s famous for its antiquity and its foray into metafiction but, oh dear, in my baby Spanish it was just too silly for words.  It was a bit like reading Alice in Wonderland, where all the cleverness was stripped away in the process of making it easy to read. However, for language learning, the chapters were a good length, and it was fairly easy to follow.

I do concede that the book has survived four hundred years and that it has probably lost nine hundred pages in this version, so perhaps I should just reserve my judgment about the original!