Category Archives: The ladies who say ooooh

The book starts in Maine in 2016 with a death: that of eighty-year old Robbie, who awakes, untangles his limbs from those of his sleeping wife of decades, Emily, gets dressed, writes her a farewell note, then goes down to the ocean to die. He is a retired boat builder, father and grandfather, and his memory is failing him. He is confusing generations, losing things, feeling as if he is in a fog that descends without warning, obscuring all familiarities and, he fears, loosening secrets that he and Emily have held tight for years.

The book then goes backwards to 1990, when Emily’s mother dies and, despite years of rejection from her family, Emily returns to her native England for the funeral. Nothing has changed: the anger and hurt that has alienated her from her family still remains. While she is away, Robbie’s estranged, alcoholic son William returns, much to the delight of his younger teenaged half-brother Adam, who barely knew of his brother’s existence.

Another jump- this time to 1975-77 where the childless Emily and Robbie adopt Adam as a four-week old baby. Robbie has lost contact with his son William, from an earlier marriage, and as an obstetrician/gynecologist, Emily is heartbroken that they have no children. When an opportunity comes to circumvent the bureaucracy and waiting lists, they jump at it – only to find out that perhaps it is not what it seemed.

Back three years to 1972 when Emily and her first husband Christopher return from a stint of medical work in Bolivia, joining her family on a holiday in Florida. Suddenly she encounters Robbie, after nearly ten years separation and they are instantly drawn to each other, prompting huge changes in everyone’s lives.

And finally, back to 1962 where they meet for the first time and fall in love. It is an instant, overwhelming attraction that is to last for fifty years.

I can’t really say much about this book because of spoilers, but the backward trajectory of the narrative gave you an opportunity to get to know Robbie and Emily, from their old age forward, so that ‘the secret’, when it is revealed, needs to be held up against everything else that we have learned about their life together. I thought that she captured Robbie’s dementia well, and the powerful attraction that they exerted on each other, right from the start, is well described. It is a bit Mills-and-Boonsy – how could it be otherwise?- but I think that Cohen showed real skill in controlling the backward plotting which is such an important part of the book.

My rating: 6.5 / 10

Read because: CAE bookgroup.

“Have you read The Dictionary of Lost Words?” I asked my daughter-in-law. She hadn’t, she said, although she started it and then abandoned it because she didn’t find it very interesting. I could sympathize: I wasn’t too enamoured of the first eighty or so pages of the book either. But I’m really glad that I persevered, because by the end, I absolutely loved this book.

I am a historian, and I love history, but I am very conscious of when the research behind a book swamps the narrative. I find myself wishing that the author had done their research, and then just put it away out of reach and written into the spaces left in the history. This is exactly what Pip Williams has done here, and her book is all the stronger for it.

The book is based on the real-life compilation of the Oxford English Dictionary, which formed the basis of Simon Winchester’s The Surgeon of Crowthorne, a book which describes the relationship between James Murray, the Editor of the OED and volunteer Dr. William Chester Minor, incarcerated at Broadmoor Asylum. Pip Williams read that book too, and in her author’s note, she says:

I thoroughly enjoyed it, but I was left with the impression that the Dictionary was a particularly male endeavour. From what I could glean, all the editors were men, most of the assistants were men, most of the volunteers were men and most of the literature, manuals and newspaper articles used as evidence for how words were used, were written by men. Even the delegates of the Oxford University Press- those who held the purse strings- were men

p. 410

Yet there were women involved in the Dictionary, and Pip Williams found them. There were James Murray’s wife Ada and three daughters Hilda, Elsie and Rosfrith who were engaged in the endeavour. Edith Thompson and her sister Elizabeth provided 15,000 quotations – perhaps not as many as Dr Minor, but prolific nonetheless. There was Eleanor Bradley who worked as part of her father’s team of assistants. Then there were the women who sent in quotations for words, or who wrote the texts that counted as ‘evidence’ of a word.

It is among these real-life women that Williams has created her story, finding the gaps and merging fact and fiction. Her fictional character, Esme, is the daughter of one of the lexicographers working in the Scriptorium, a rather-grandly named shed in the grounds of James Murray’s house. Her mother had died, and her father is raising her with the aid of Lizzie, an Irish maid not much older than Esme herself. Esme accompanies her father to the ‘Scrippy’, where she hides under the table as the lexicographers work, and it is from under the table that she notices one of the slips on which the words are written floating down to the floor. It’s the word ‘bondmaid’, and she takes it and hides it in the trunk under Lizzie’s bed onto which she scratches the label ‘The Dictionary of Lost Words’. As she becomes increasingly aware of the class gap between herself and Lizzie, and the gender gap between the men compiling the Dictionary and the women whose work provides the fabric of their middle-class existence, she is drawn to more ‘lost’ and ‘unknowledged’ words. She collects them from Lizzie, from old, toothless Mabel in the market, from actress-turned-suffragette Tilda, and as her experience grows, from her own knowledge of women’s bodies.

At the same time, this fictional Lizzie is living within a real-life historical world including the suffrage movement and World War I. Just as we are shaped by events and trends (for myself: baby-boomer prosperity, a politics in which the Labor Party became a viable political contender, the internet, 9/11, COVID), so too Lizzie’s life is touched by historical events, but Williams deftly keeps these as external, but inexorable influences without letting them overwhelm the narrative. She has her research well under control.

The book is steeped in questions of language and power, and there are some nice little plot tweaks that highlight the importance of language and words. One of the lexicographers speaks to Esme in Esperanto – that quixotic attempt to construct an international language and the Suffragettes adopt the motto of “Deeds, Not Words”. The epilogue, which takes us to a Lexicography conference in Adelaide in 1989 might seem superfluous or tangential but it’s not: the collection of the Kaurna language by ethnographers and missionaries and its restoration, like language reclamation projects in many Indigenous communities, is another form of “lost words”. In this way, Williams takes the process of transcription and compiling out of the little Scriptorium in an Oxford garden over a period seventy-one years to our own present as Australians as we face our own truth about languages that were proscribed and extinguished, only to be found again.

I really enjoyed this book, and didn’t want it to finish.

My rating: 9/10

Sourced from: CAE bookgroups, and my own copy as well.

Gillian Slovo, the daughter of white anti-Apartheid activists Joe Slovo and Ruth First, was standing with her siblings at just one of the many public events surrounding her father’s funeral. Nelson Mandela came in.

[Mandela] told us how one day when he had gone to hug his grown-up daughter she had flinched away from him, and burst out “You are the father to all our people, but you have never had the time to be a father to me.”

He let that last sentence hover before speaking again. This, he said, was his greatest, perhaps his only regret: that his children, and the children of his comrades, had been the ones to pay the price of their parents’ commitment…

They knew it somewhere, all their generation: as the state poured out its wrath, they had watched their children suffer. And yet, and yet- what else could they have done?

p.214

What else could they have done? This is the question that lies at the heart of Gillian Slovo’s memoir Every Secret Thing. The answer she would give, I think, is “more”. More time, more contact, more honesty, more love. As the child of two committed, White anti-Apartheid activists, Slovo and her sisters shared their parents with a broader political project, as suggested by the title. Their family and their country were indivisible, even though they spent many years living elsewhere. They had grown up with secrets, with whispered conversations between heads almost touching, with a succession of fleeting and shadowy contacts and the knowledge that, as far as their parents were concerned, they always took second place to the larger struggle. Their father Joe Slovo and mother Ruth First were the glamour couple of the anti-Apartheid movement, born themselves to Communist parents, and active members of the South African Communist Party. They resisted apartheid right from the late 1940s, with Joe an advocate at the Johannesburg Bar, acting as a defence lawyer in political trials. Both were under surveillance, and both spent years in exile in UK, Mozambique, Swaziland and Zambia. Ruth was detained under consecutive 90-day detention periods while the government played cat-and-mouse with activists, while Joe spent decades out of South Africa. She was assassinated in 1982 in Zambia through a letter-bomb. Her father lived until 1995, by which time the ANC had been elected through democratic elections and he had become the Minister for Housing in Nelson Mandela’s government- an almost unimaginable change of events from the perspective of the 1950s and 1960s.

Throughout all this, their daughters were observers: told little, kept safe but also kept at arms-length emotionally. In the weeks before his death from cancer, Gillian asked her father about his life, but he furiously exploded “You can write what you want to, but I won’t tell you.” After he died, Gillian returned to South Africa, to try to uncover the secrets that her parents had held from her and the last third of the book revolves around this search. She wants to know the circumstances and the perpetrators of her mother’s murder, and this brings her face-to-face with more secrets – the power apparatus that lent force to the apartheid regime but which has also managed to shapeshift and insinuate itself into the present security structures. She uncovers secrets about her parents as well, secrets which make her question her parents’ marriage and their fidelity and which serve further to underscore the children’s marginality to their parents’ lives.

Her parents were public figures, excoriated by the apartheid regime, but embraced as part of the struggle by the ANC – indeed, Joe Slovo is buried in a formerly-black only Avalon cemetery in Soweto. Their daughters did not know where they fitted in. They were white, had black servants, spent much of their life in England, and yet they stood, almost as ornaments, at the huge funeral celebrations held when their father died. But Gillian also knew that she and her family were not part of that white silence that pervaded the fifty years of apartheid – as she wryly remarked, it has been impossible now to find anyone who owns up to supporting it- and she bridled at the comment of a White driver that he “didn’t hold grudges”, as if he were the victim. Yet, Gillian feels that she has been a victim in that the larger struggle made her inconsequential to the people to whom she most wanted to matter.

As it turns out, I have read two memoirs written by daughters about their parents, one after the other. This memoir, and Swimming Home are similar in that daughters are holding their parents (especially their mothers) to account, and both share a broadly chronological narrative with multiple digressions and time shifts. What I really admire in this memoir is Slovo’s honesty in her motives and her expressions of disappointment in both parents and her frankness in stating that her parents’ commitment came at her expense. But how to measure the contribution of people passionate about huge events and conditions that affect millions, against the demands of three daughters? I don’t know, and at the end, I don’t think that Slovo does either. She will never find out ‘every secret thing’ – an impossible goal- but she concludes that

I, a child of secrets, had done something that I had needed to do. I had laid to rest some of the ghosts that had stalked my life, and in doing so, I’d found a kind of peace.

p. 281

Perhaps, a “kind of peace” is the best that any of us can hope for.

My rating: 8/10

Sourced from: CAE bookgroups

One of the ongoing debates in literary and historical circles revolves around the question of the dividing line between fiction and history. Just this morning, I read another contribution: Between Fact and Fable: Historical Fiction or Non Fiction Novel? I must confess to my own wariness when historians include speculation in their histories, and am critical of historical fiction that does not display fidelity to the time that it is depicting. In reading this book, however, which was nominated for the International IMPAC Dublin Literary Award, I find myself disconcerted by yet another variation on the conundrum. Is this a novel, or mainly a device upon which to hang the author’s research?

The subject matter interests me: I have always been interested in midwifery practices in the past, and the nature of women’s knowledge about their bodies. Set in Scots Bay in Nova Scotia (a real place) during and immediately after WWI, its main character is Dora Rare, the first female Rare in six generations. She is treated with suspicion by the people in the small town, and is drawn to Miss B. the town midwife, who is similarly ostracized (and feared?) by the locals. Out of love for Miss B. and drawn by her own interest, Dora becomes a trainee midwife. However, both Miss B. and Dora find their knowledge and skill questioned when Dr Thomas, an obstetrician in the employ of Farmers Assurance Company of King’s County, arrives in town. He talks up the advantages of health insurance, and deprecates the old folk ways of midwives, which are under threat not only from him but from legislation and regulations encouraging ‘safe’ hospital births.

Despite ‘catching’ many babies, Dora herself struggles to fall pregnant. Faced with no other real alternative and eager to have her own child she has married Archer Bigelow, a feckless man who enjoys the unfettered access to his wife in order to impregnate her. This marriage and her own maternity does not turn out the way she envisaged it would. Forced to leave Scots Bay, she travels to Boston where she meets liberated and unconventional women involved in the suffragette movement. There she develops an independence which helps her to return to fight, along with her friends from the ‘Occasional Knitting Society’, for the rights of Scots Bay women to give birth as they wish.

By its very nature, the author of historical fiction chooses a particular time and place in which to set the novel. By establishing her book in 1916-1920s, a range of fascinating historical situations opens up for Mackay. There’s the Canadian contribution to WWI; the Canadian homefront and attitudes towards men who did not enlist; the Spanish flu epidemic; women’s suffrage; the rise of the ‘girl’ and changing attitudes towards women and their sexuality and maternity. She has clearly researched all these things, but I found myself wondering if the plot was being driven too much by the search for scenarios in order to utilize all this research. While reading it, I don’t think that I ever lost the consciousness that I was reading a book and that there was an author pulling the strings – and for me, that’s not a good thing.

My rating: 6/10

Sourced from: CAE book groups

As it happened, I read two books in a row that were debut novels written by authors writing about their own profession. One of them was As Swallows Fly, based partially in a hospital, and written by a Professor of Nephrology (see my review here), and the other is The Imperfectionists, set in an English-language newspaper published in Rome, written by a former International Herald Tribune staffer. As you might expect, the language and narrative was handled much more confidently in this book which uses the chronological rise and decline of the un-named newspaper founded in 1954 by an American industrialist named by Cyrus Ott as the narrative structure for a series of chapters about different characters involved with the newspaper.

Each ‘character’ chapter has a catchy title, sometimes (but not always) referencing an article being written by the particular journalist, or more often referencing the article which bumped the character’s own work from the columns of the newspaper. In ‘Bush Slumps to New Low in Polls’ we meet Lloyd Burko, who is at the end of his career, while in ‘World’s Oldest Liar Dies at 126’ we see the career rise of Arthur Gopal, originally employed as the obituary writer who becomes fascinated by Gerda Erzberger, a dying Austrian intellectual. ‘Europeans are Lazy, Study Says’ introduces Hardy Benjamin, an insecure woman who settles for a boorish boyfriend for fear of being left alone and disappointing her father. ‘Global Warming Good for Ice Creams’ features Herman Cohen, the Corrections Editor and his relationship with his old friend Jimmy, a scammer and blow-hard. Kathleen Solson, the Editor-in Chief, is the main focus of ‘US General Optimistic on War’ and the foreign correspondent Winston Cheung, based in Cairo, meets the egotistical Rich Snyder while on assignment in ‘The Sex Lives of Islamic Extremists’. Ruby Zaga, the Copy Editor is unhappy and fears that she will be fired in ‘Kooks with Nukes’, while Craig Menzies the News Editor is besotted with Annika but they destroy their relation through their demands of each other in ’76 Die in Baghdad Bombings’. The story that I liked most was ‘Markets Crash Over Fears of China Slowdown’, where Abbey Pinnola, the Chief Financial Officer, finds herself seated on a flight next to a man who she had organized to be fired from the newspaper as part of cutbacks. ‘Cold War Over, Hot War Begins’ moves away from the writers to the reader- in this case, Ornella de Monterecchi, who read each page of the newspaper, column by column, refusing to move to the next issue until she had read the last. (This reminds me of myself, and the two last editions of the Saturday Paper still in their plastic because I haven’t finished the preceding one). Oliver Ott, the grandson of the paper’s founder, features in ‘Gunman Kills 32 in Campus Rampage’ where he is charged by the rest of the family with closing the failing newspaper down after more than sixty years.

Although each character has their own focus chapter, they are threaded through the other chapters as well, sometimes as walk-on parts, at other times as background. Meanwhile, the shaky start of the newspaper, its success and decline, are traced in the connecting chapters, and we learn from the final story that the newspaper has only ever been an act of love, and not intended to make money. But it is an act of love within an industry that is spurred by technology and communication change, but eventually sidelined by the digital media.

I enjoyed this book. Although not particularly fond of short stories, I like it when they are tied together by a theme, and when characters appear and disappear in other stories. The story-telling was very assured, capturing in short brush-strokes the personalities and career trajectories of its characters, while making an ultimately futile plea for the humble, paper-based newspaper.

My rating: 8/10

Sourced from: CAE bookgroups

One of the delights of being in a bookgroup is when you find yourself loving a book that you would never have chosen otherwise. One of the burdens of being in a bookgroup is when you find yourself gritting your teeth to get through a book that you would never have chosen otherwise. City of Friends falls into the latter category.

The narrative revolves between four middle-aged, successful, middle-class London-based women, who met years earlier in an economics course at university, where they were vastly outnumbered by the other male students. Gaby is an investment banker, married with three children. Melissa is a management consultant and single mother of a teenaged son. Beth is an author and academic, expert in business psychology and in a relationship with a younger woman, while Stacey is a senior partner at a private equity firm, married but without children, and suddenly called upon to care for her mother with dementia. Does that entice you to follow them over 327 pages? I didn’t think so.

I’m not a reader who has to like the characters, but I do need to have a frisson of interest in them. I’m aware that Trollope is trying to illustrate modern life and dilemmas – the role of daughters in caring for aging parents, step-children, flexible working, ‘having it all’- but really, I found that I just didn’t care.

If I dislike a book, I don’t usually review it, especially if it is a new writer. But Joanna Trollope OBE has sold more than 7 million copies of her books, so I think that she can do without this reader.

My rating: 4/10

Sourced from: CAE Bookgroups.