I can hardly believe that I have read this enormous tome not once, but twice. The first time was in 2002, when I read it for an online Literary Biography book group, and this second time was for my former-CAE bookgroup (which I nicknamed ‘The Ladies Who Say Oooh’, which is what my daughter used to call us). The CAE has disbanded its bookgroups and farmed out its book collections to groups, no doubt to save themselves the hassle of getting rid of thousands of books. None of us actually chose this book, but we were happy to read it. That was before the group members realized how long it was, and how small the font was. I think that I was the only one to actually finish it, largely because I knew that I enjoyed it the first time. But I think that I was more impatient with it this time.
Richard Ellman’s biography of Wilde won both the National Book Critics Circle Award and the Pulitzer Prize. It has been described as the ‘definitive’ biography, and I certainly don’t think that another Wildean fact could possibly to be dredged up that hasn’t been included in this exhaustive and exhausting book.
The first time I read it, I was largely unaware of Wilde and his story. I knew that he wrote plays, that he wrote ‘The Happy Prince’, that he was homosexual and that he ended up in jail. Perhaps my enjoyment of the book the first time was that it was all new to me then, although I have since watched Stephen Fry’s wonderful performance in the movie ‘Wilde’, seen an excellent local performance of David Hare’s The Judas Kiss and read Fanny Moyles’ Constance: The Tragic and Scandalous Life of Mrs Oscar Wilde.
Ellmann certainly leaves no stone unturned, starting right back with Wilde’s birth and and going through to rather graphic details of his death. He draws parallels between Wilde’s writing and his own life, and then (as now), I found myself regretting that I have never read The Picture of Dorian Gray. The courtcase that led to his downfall does not appear until about 4/5 of the way through the book, so there is plenty of time for Ellmann to establish Wilde’s large circle of artistic friends – including even Australia’s Charles Conder and Dame Nellie Melba- and Wilde’s conscious creation of ‘aestheticism’ as a cultural movement. In the late 1880s-early 1890s, he seemed to be everywhere: in print, on the stage, amongst the wealthy, the glittering and the cognoscenti. Ellman’s sympathies are clearly with Wilde, although he shows us his fecklessness (especially in relation to his wife Constance), his recklessness and his odd mixture of weakness and doggedness.
This second reading, however, found me impatient at the denseness of the prose and overwhelmed by the minuscule level of detail. It is as if he could not bear to leave a single fact out, and if he couldn’t squeeze it into the text, then he would carry it on in the lengthy footnotes at the bottom of the page. (That said, I was grateful that he included translations of the French in the footnotes as well). I read now that Ellman completed the book just before his death with Motor Neurone Disease in 1987, and that he was not able to revise it or correct errors which have since been corrected by another writer. Perhaps, had he had more time, he might have stripped the book back a bit, which would not have harmed it in any way and indeed may have enhanced it. As it is, Ellmann has covered Wilde’s life so exhaustively that any further biographers could not compete in thoroughness, only in incisiveness.
I had heard about this book during the COVID pandemic, and no wonder. Published in 2014, some six years before the world locked down, it describes a world where 21st century Western industrialization has collapsed in the wake of a virulent influenza that has wiped out 90% of the population. What cheering reading during a pandemic!
However, reading it ten years later and with those COVID years behind us, does Station Eleven stand on its own two feet? I think it does. Right from its opening chapter, which starts with a Shakespearean actor, Arthur Leander playing King Lear, collapsing on stage, I was hooked.
As Arthur falls to the floor, a member of the audience, Jeevan Chaudhary, a trainee paramedic rushes to give him CPR, watched by a little girl Kirsten Raymonde who stands in the wings. Returning home, he takes a phonecall from a friend who is a doctor, who warns him that the Georgia flu is rampant, and to take his girlfriend Laura and his brother, and to get out of town.
The narrative then jumps ahead twenty years and takes up again with Kirsten, now an adult, with only scattered memories of that night at the theatre, before everything changed. She is now part of the Travelling Symphony, a rag-tag group of actors and musicians, who move from settlement to settlement to perform music and plays. Electricity, gasoline, the internet and all the things enabled by these had ceased, and in the first years after the pandemic, life had reverted to a light-governed, subsistence struggle against other frightened groups, who were themselves fighting for existence. After twenty years, things had stabilized, albeit at a stagnant level, but a level of menace had been recently introduced by the rise of the Prophet, drawing on a mixture of messianic religion and violence to consolidate his power.
If this sounds at bit like Cormac McCarthy’s The Road, it is. I certainly had the same feeling of dread in the pit of my stomach as I read. But unlike The Road, there is not the same relentless hopelessness. This is a world that is trying to hold onto the best in music and literature, and trying to collect as many artefacts from the old world as possible so that the ‘before’ world is not completely lost. The world still looks for beauty. The book’s ending, while ambiguous, is hopeful.
It is beautifully written with strong control of the narrative, as Mandel slips back and forward between the ‘before’ and ‘after’ worlds, moving from one character to another. How prescient she was, and how chilling it must have been to pick up this book in the early days of COVID. But as a piece of writing, it doesn’t need the experience of the last few years to give it strength: it’s a very human, well-crafted book that celebrates creativity and the best of being human, giving hope without sentimentality.
This book, edited by Clift’s biographer and former daughter-in-law Nadia Wheatley, is marketed as ‘selected essays’. More properly, they are a selection of 80 of her 225 newspaper columns published mainly in the Sydney Morning Herald and Melbourne’s Herald between 1964 and 1969, when they came to an abrupt halt with her suicide.
The newspaper columnist was (is?) a curious beast. Although there are innumerable bloggers and sub-stack writers, there seemed to be something rather special about turning over the page of a print newspaper, and seeing an article by a regular columnist, in its accustomed place on the page. I used to enjoy the columns of Sharon Gray (who I see is actually Adele Hulse), Pamela Bone and Gillian Bouras who ended up living in Greece – all women- and Martin Flanagan in the Age. I know that Anne Deveson wrote a regular column, but I only know of her through her daughter Georgia Blain. The only physical newspapers that I still receive are the Saturday Paper and The Age on Saturdays and although they have a stable of staff writers and comment columns, the only one who comes close to my perception of the ‘newspaper columnist’ in the Charmian Clift mould is Margaret Simons with her gardening columns in the Saturday Paper, and perhaps Kate Halfpenny and Tony Wright in The Age. Somehow you feel as if you know them, and that you could plonk down beside them in a coffee shop and just take up talking with them.
Of course, it’s all artifice because despite the appearance of confidentiality and intimacy, columnists project a particular view of themselves, and one that is often quite removed from reality. This is the case with Charmian Clift whose columns brim with confidence and warmth, when instead she had lived, and was still living, a life that was far removed from the suburban Australian life of many of her readers. She and her husband, writer George Johnson, circulated in an artistic and intellectual milieu on the Greek island of Hydra that could simply not be found in Australia (barring, perhaps, the communal living at places like Heide in Bulleen). There’s little sign in her columns of the infidelities and arguments that wracked her marriage. She never mentioned her family members by name, and referred only obliquely to her husband’s long hospitalization with TB. The birth of an illegitimate, and relinquished, daughter when she was 18 years old was coded as “a wrong road…that led me to disaster”.
I could find only one mention of her alcoholism:
A whole human life of struggle, bravery, defeat, triumph, hope, and despair, might be remembered, finally, for one drunken escapade.
One can only read with hindsight her essay about her husband’s forthcoming semi-autobiographical second book Clean Straw for Nothing, which she had not dared read, for fear of what he might reveal about her through the character Cressida Morley
I do believe that novelists must be free to write what they like, in any way they liked to write it (and after all who but myself had urged and nagged him into it?), but the stuff of which Clean Straw for Nothing is made, is largely experience in which I, too, have shared and … have felt differently because I am a different person …
Indeed, several commentators have linked her apprehension about the publication of this book with her suicide in July 1969 at the age of 45- a suicide that seems so paradoxical with the fiesty, intelligent personae that she had curated through her columns.
Wheatley has titled this book ‘Sneaky Little Revolutions’, echoing a rather condescending but also self-effacing comment that Clift made about her own columns to her publisher in London:
I have been making my own sneaky little revolutions …writing essays for the weekly presses to be read by people who don’t know an essay from a form guide but absolutely love it….
Some of her essays are disarmingly suburban, but there are many others that are subversive and indeed, “little revolutions” for the mid-1960s, deep in the midst of the Menzies-era. She resisted the smugness of white-Australia that expected her gratitude for returning to comfortable Australia from a ‘foreign’ country; she supported the rights of women and decried their ‘second-class’ status; she said “sorry” some forty years before the Australian government did; and she revelled in young ‘protestants’ (i.e. protesters) who challenged the complacency of the 60s. In an essay that was not published at the time, she criticized the contingency and unfairness of the National Service draft, which left some men untouched and diverted the life course of others.
As a middle-aged (who am I kidding?) woman myself, I loved her essay ‘On Being Middle Aged’.
…the middle-aged drag time around with them like a long line of fetters, all the years that they cannot escape, the mistakes that can never be undone, the stupidities that can never be uncommitted now, the sames and humiliations and treacheries and betrayals as well as the prides and accomplishments and happinesses and brief moments of wonder…. I often think that middle-aged people have two lives, the one they’ve lived, and a parallel life, as it were, that walks around with them like a cast shadow and lies down with them when they go to sleep, and this is the life they might have lived if they had made different choices in that time when time was so abundant and the choices were so many.
There is a run of essays in the volume about her trip to central and northern Australia. At a time before cheap airfares and mass international travel, her beautiful writing brought to life a view of Australia from above- something that not all Australians had seen. In ‘The Centre’:
Pitted pores. Dried out capillaries of watercourses. Culture slides of viridian clotting thick creamy yellow. Wind ridges raised like old scars, and beyond them the even, arid serrations of the Simpson Desert, dead tissue, beyond regeneration. And yet, the tenderness of the pinks, the soft glow of the reds, the dulcet beige and violet seeping in.
She has a distinctive voice, although one that is not completely unlike my own with her colons and lists and parentheses and made-up words. The genre of the newspaper column does impose a straitjacket of must-haves: an engaging introduction, a set word length, and a rounding-off last paragraph. I found myself longing for a longer essay than the requisite six pages in my e-book and something more thorny and less self-contained.
Is there any point to re-publishing seventy year old newspaper columns? Yes, I think there is in exceptional cases, and few newspaper columnists have that honour bestowed upon them. I think that it rescues some good thought, good thinking and prescience from the flow of ephemera and evokes a humility in us to remember that many others have held certain political positions and made similar observations in the past.
As preparation for my trip to South Korea earlier this year, I read books with a South Korean setting, which is why I ended up reading this book. As it turns out, I read two books based on Jeju, a large island south of the South Korean mainland. It is an oval shaped island, with a large mountain Hallasan in the middle. The Jeju people are indigenous to the island, and have been there since Neolithic times. It is famous for its haenyeo, traditional women fishers who free-dive to gather molluscs and seafood in a semi-matriarchal society, where their wages formed the basis of the family income. Shamanism remained an important part of social and religious observance. Jeju was annexed by the Japanese (as was the rest of Korea) in 1910, and it became a hotbed of independence: a stance that remained when the US-sponsored South Korean government took over from the Japanese after WW2. It was this desire for independence and reunification which led to the South Korean government, led by Syngman Rhee, to see it as a potential hotbed for Communist insurgency. In 1948-9 the government led an ‘eradication campaign’ against these supposed insurgents, arising from the April 3 Incident in 1947, resulting in between 14,000 and 30,000 people (10 percent of Jeju’s population) being killed, and 40,000 fleeing to Japan.
This is the political background of the novel, which focuses on a young girl Goh Junja, who is coming into her own as a haenyeo diver. She encourages her mother to let her travel inland to swap sea produce for a pig, and on this journey she meets Yang Suwol, the son of a wealthy family on the mountain. They are instantly attracted to each other, but on her return from the mountain, she finds that her mother has died from injuries which at first she believed came from a diving accident. As the political situation intensifies, Yang Suwol becomes involved in insurgent activity, and Junja realizes that her own family is more politically involved than she realizes. The whole community is endangered by political currents at a world level that are manifested through cruelty and repression as it becomes increasingly difficult to work out whose side anyone is on.
The book is told in two parts. The first part commences with Mrs Junja Moon in Philadelphia in 2001, wife to Dr Moon, who is about to suffer an embolism. The story then backtracks to Jeju in 1944 as Junja nearly drowns while diving, then jumps ahead to 1948 and Junja’s meeting with Suwol. Part Two returns to Philadelphia, and as a reader you are wondering how Junja ended up being married to Dr Moon. Who’s he? What happened to Suwol? Dr. Moon decides to return to South Korea for the first time in many years, where he meets up with his old friend Dong Min. The book then alternates between 1944, 1948 (when Dr Moon- or more properly- Gun Joo were sent to the island as conscripts) and 2001 as the two men consult a Shaman and return to the mountain to learn the truth of what happened there some fifty years earlier.
The book starts with a timeline of political events, which is important as it frames the story. Unfortunately, it is a fairly sketchy timeline and it does not mention the word ‘nationalist’, even though it is used frequently during the book. The author does give political information, but it feels rather didactic, and I didn’t ever feel that I really understood the politics. The dual timeline, which is becoming rather hackneyed in historical fiction, made the book feel as if it were two separate books- as if she started writing one book, scrapped it, then started on another.
That said, the relationship between Junja and Suwol was well-handled and I found myself caring about what happened to them both, and pleased that it wasn’t tied up with an easy ending. However, the book seemed to be lacking something and I doubt that I would have persevered had I not had an interest in the setting.
My rating: 6/10
Sourced from: ebook borrowed from Yarra Plenty Regional Library
Read because: I was going to South Korea. I’m a little sorry that I didn’t go to Jeju now.
I visited South Korea with my son and his family, so I thought that I’d embark on a bit of South Korean literature before I went. Other than Pachinko, which is partially set in Korea, I don’t believe that I’ve read any other books set in or about Korea.
I don’t know exactly what I was expecting, but My Brilliant Life ended up being a completely different from what I thought it would be. As it turned out, I was reading it in Large Print edition (the only one I could find) which gave it an air of being a rather light, speedy read. It is narrated by sixteen year old Aerum, who is suffering from progeria, a rare inherited disease that causes premature aging. As his body gradually shuts down, he decides to write his family story, drawn together from what his parents have told him about their lives in a rural village, their meeting and early marriage and his childhood. He is a lonely child: he cannot attend school, and has no friends of his own age – for what indeed is his age in a body that is accelerating towards a premature death? The family is not rich, and the hospital bills are mounting up, and so he decides to make a paid appearance on a television show, which alleviates the financial pressure and launches him into a rather voyeuristic celebrity. Following the program, he receives many emails, and he begins corresponding with Seoha, who is suffering from cancer, and in the absence of other age-appropriate relationships, he becomes infatuated with her.
I will not divulge the end of the story. It is sad and inevitable. It’s a book about life, love and presence.
Although this is book was in Large Print format, it could possibly be an interesting Young Adult book- after all, there’s no shortage of books about teenagers dying of incurable diseases. I don’t know that I learned much about South Korea from it, but I did learn about progeria.
Just recently I listened to an interview by the New York Times with Curtis Yarvin, who has been name-checked by a lot of Trump’s acolytes. He talks quickly and rather disjointedly, and is fond of throwing out historical references to defend his views and give them the sheen of academe. People are quick to bring out the old saw “Those who cannot remember the past are condemned to repeat it” and there’s a danger of cherry-picking when computer engineers (in Yarvin’s case) and social philosophers (in Krznaric’s case) look back to history to bolster a present day argument. But that is unfair to Krznaric: unlike Yarvin, he admits that he is not a historian, and he acknowledges that he is very much standing on their shoulders while surveying present-day society. His book has footnotes, references and an index, and he includes in his footnotes references that make a different argument to the one that he is making. And unlike Yarvin, this is a quiet, considered, optimistic (too optimistic, I fear) book that piques your interest rather than bludgeoning you into silence with names and dates that you have no way of challenging.
Krznaric acknowledges the dangers of cherry-picking but argues that:
All writing of history is selective- requiring choices about topics, time periods, relevant actors, the importance of race and gender, the role of culture and technology, the use of quantitative data and other methodological issues. What matters is being clear about the approach. From the myriad of historical contexts, I have consciously selected events and stories that offer inspiration for tackling the ten major crises facing humanity in the twenty-first century, and actively focus on the collective struggles and initiatives of everyday people, since this is the realm in which we have the greatest potential agency. (p.7)
So what are these ten major crises, and what historical events does he use to discuss them? His opening chapter ‘Breaking the Fossil Fuel Addiction’ draws parallels between the vested interests supporting the continuation of slavery in Britain in the early 19th century, and the fossil fuel interests that are undercutting action on climate change. I’ve though about this connection previously, and the distasteful thought that, as with slavery, it may be necessary to ‘buy out’ fossil fuel interests, in the same way that the compensation for slavery went not to the enslaved, but to their enslavers. As well as emphasizing the importance of creating coalitions across party lines and the potency of the ‘radical flank’ to make the comparatively moderate thinkable, he also notes the place of violence. The Captain Swing civil disobedience led to the 1832 Reform Act, which diluted the power of the slavers and their lobbyists in British Parliament; while the Caribbean slave revolts made continued enslavement unattainable. I think that this chapter was the strongest in the book, and it stands alone well.
Question Two involves the nurturing of tolerance. He starts off with his own family story, with his father arriving in Melbourne from Poland in 1951 as part of Australia’s post-war migration, a story which seems from the distance of 70 years to have been successful but which may not have felt so rose-tinted at the time. He looks back to the Islamic kingdom of Al-Andalus, where Muslims, Jews and Christians co-existed, although the backlash of the Reconquista is a salutary warning, I think. He looks to the early years of Chinese immigration when, as Marilyn Lake and Henry Reynolds note, Australia led the world in ‘drawing the global colour line’ at the turn of the 20th century (a reference that he should have referenced, but did not). He also looks at Ghana and the post-independence leader Kwame Nkrumah, who came to power in 1957 and embarked on a series of policies and programs to create a unifying Ghanaian national identity. He talks about the importance of city design in nurturing tolerance, looking at Singapore’s public housing which even today has a quota system where each estate must reflect the national percentage of Singapore’s main racial groups.
The third question is that of over-consumption in ‘Kicking the Consumer Habit’ where he turns to the Edo period of Japan between 1603 and 1868, which ran on a circular economy where almost everything was reused, repaired, repurposes or eventually recycled. Rationing during WWII prompted similar behaviour.
Chapter 4 ‘Taming Social Media’ looks back to the printing revolution and the rise of the coffee house culture in Georgian times as examples of disruptive technologies that drove political change. He notes that the development of print formed the ‘typographic brain’ that is linear, sequential and rationalist; and suggests that the digital age could prompt changes in the way we connect ideas and organize information.
Chapter 5 ‘Securing Water for All’ is subtitled ‘Water Wars and the Genius of the Commons’, and it’s an important chapter, warning in its opening sentence that “we are a civilisation heading towards aquacide”. He looks back to China’s Qing dynasty in the mid-18th century where Chen Hongmou, a government official, managed the building of irrigation and drainage systems. He championed the construction of water wheels and ensured regular repair work on ditches, dams and wells (p. 109). But his work could not survive the Opium Wars, the Taiping Rebellion, and the El Nino of 1876-8. He looks to Valencia’s Tribunal of Waters, which meets every Wednesday outside the Cathedral to resolve water conflicts as it has since the fifteenth century. However, water can be used as a tool of war, like the Cochabamba Water War in Bolivia in 2000 which led to civil unrest when the water services were privatized in 1999 under pressure from the World Bank and the IMF. Israel has long used water as a tool against Palestinians in the territories that they occupy, but he looks to initiatives like the Good Water Neighbours Program in the Lower Jordan Valley as cause for hope (although I wonder how it’s holding up now) and the International Commission for the Protections of the Danube River. However, seeing the debacle that our own Murray River scheme in Australia has become, I am not hopeful.
Chapter 6 ‘Reviving Faith in Democracy’ involves rediscovering the communal democracy of the past, and he goes way back to Djenné in West Africa between 250 BCE and 1400 CE, a complex trading centre which at its height was home to 40,000 people. He points out that the modern ideal of representative government was designed to prevent democratic politics, not enable it. He goes back to Athenian democracy and the Rhaetian Free State which emerged between 1524 and 1799 in what is now Switzerland, and even Kurdish confederations and the Rojava Revolution in Syria- although I’m not sure what the status is since the fall of Al-Assad. I see that their jailed revolutionary leader Abdullah Ocalan has declared a ceasefire of the PKK against Turkey- one of the problems with writing a topical book!
‘Managing the Genetic Revolution’ looks back to medieval alchemy, in essence returned as genetic engineering. He sees the genetic revolution as one of the rare turning points in history that fundamentally changes the trajectory of the human journey (p. 153). He turns to the past for warnings, looking first at the Eugenics movement and the Better Babies Contest, and Nazi Germany’s adoption of eugenics as the basis for its race-based state in Germany. Rather more hopefully, he looks at the March of Dimes and the crusade against polio where medical innovation was directed towards the common good. He warns of the ‘enclosure movement’ related to biodata, and the Wild West commercialization of the US biotech sector.
‘Bridging the Inequality Gap’ starts with the Black Death, which brought about such huge economic changes. But as he notes, the idea that substantive reductions in wealth inequality can only be brought about by warfare, state failure and pandemics is depressing and disempowering, because it suggests that all well-intentioned peaceful attempts to tackle inequality are unlikely to change the status quo. He looks to the Indian state of Kerala which was a global pioneer of mass education in the 19th century, with women at the forefront. Its government has alternated between a Communist Party and a Congress Party generally supportive of social democracy. In the Global North, the spotlight usually falls on Scandinavia, and especially Finland, which has also been at the forefront of women’s education and egalitarianism.
Chapter 9 ‘Keeping the Machines Under Control’ looks at the rise of capitalism and the extraordinary capabilities of AI- two phenomena that have deep connections. He looks to financial capitalism with the Dutch East India Company, Scottish financier John Law and his schemes under King Louis XIV of France. He argues that both financial capitalism and AI develop into a vast, complex supersystem, with the risk of contagion where any problem in one area spills over into other areas, especially with fake information, mass technological unemployment, and the potential for military use. The final similarity is that both are non-sentient human creations. He looks to the early distributed ownership models like the co-operative movement and mutual aid societies, although he admits the difficulty of breaking the ownership model of the AI industry- even worse since Trump came to power.
His final chapter ‘Averting Civilizational Breakdown’ ( a rather gloomy title) tells us that we face the Great Simplification, where too many ecological limits have been breached. Will society bend or break? He admits that we are currently facing the break scenario. He reminds us that
No civilization lasts forever: empires and dynasties are born, they flower and then die, sometimes abruptly but usually over decades or centuries. (p. 223)
He suggests that there are three broad features that are likely to give a civilization the ability to adopt and transform over time. The first is asabiya, or the power of collective solidarity, which was described in 1375 by an Arab scholar Ibn Khaldun. We see this in the wake of natural disasters (when every country proclaims that the united action of its citizens reflects that specific nationality and its ‘spirit’). It thrives on competition between states, but the problem is that the ecological emergency does not have an external enemy that we can act in solidarity against. The second is biophilia where we develop a sense of ecological stewardship for the whole web of life (or as the 7th principle of Unitarian Universalism puts it “respect for the interdependent web of all existence”). He looks back to the mass planting that took place after the publication of John Evelyn’s book Sylva in 1664 and the vestiges of pagan traditions of nature worship, as well as indigenous worldviews of intimacy and independence between humankind, the land and the living world (p. 230). The third feature is crisis response, when we think historically about the meaning of ‘crisis’ itself, popularized by Malcolm Gladwell’s popularization of the idea of a ‘tipping point’. He looks to radical change undertaken during war (e.g. WW2 industralization), in the wake of disasters (the Dutch government response to the floods in 1953), and in the context of revolution (Chinese land reform- not a good example; the Cuban National Literacy Campaign).
Krznaric makes no secret of his politics or his priorities. He has been personally involved in Extinction Rebellion, which he characterizes as the ‘radical flank’ of the environmental movement, and he himself was involved in citizens’ assemblies on Biodiversity Loss, even though he ended up being rather disenchanted with them. He calls for ‘radical hope’ because
Disruptive movements can change the system (e.g. slavery, the women’s movement)
‘We’ can prevail over ‘me’ (e.g. Valencia’s Tribunal of Waters, al-Andalus, soup kitchens in the wake of the San Francisco earthquake)
There are alternatives to capitalism (e.g. Edo Japan, the ‘entrepreneurial state’)
Humans are social innovators
Other futures are possible (classical Athens, the West African city of Djenné-Djeno, and the Raetian Free State in Switzerland.
At a personal level, history can do much more than help us realise that there is hope for transformative change: it can also spur us to become one of the changemakers ourselves. Whether in our communities, or workplaces, or anywhere else where we may want to make a difference, we can look to the past as an array of possibilities. From joining a protest movement or setting up a cooperative enterprise to taking part in a citizens’ assembly, history reminds us that we are part of the great traditions of active citizenship that stretch back into the past. (p. 253)
I wish that I shared his ‘radical hope’. While I acknowledge that the past does give examples of alternatives, using them as templates is fraught with contradictions and impossibilities. They can only be shards of hope, and the fact that so many of his examples are drawn from societies than no longer exist is not encouraging. As he admits, no civilization lasts forever, and I’m very much aware that our epoch of industrialization, democracy, and post WW2 peace is just a fleeting smudge on the timeline of human existence. I’m reading this in early March 2025, when the world is becoming a darker place, and at the moment those forces of untrammeled power wielded by strongmen, tech bros and lobbyists seem too strong for ‘radical hope’.
My rating: 8/10
Sourced from: Yarra Plenty Regional Library
A personal aside: Krznaric grew up in Sydney and Hong Kong, and he’s a player of real tennis. My brother’s family is very involved in real tennis too. I wonder how the real tennis fraternity deal with this colonial’s radical views?
For the first time in over 20 years, I didn’t finish the book for my CAE bookgroup. Partly, it was because I forgot that we had changed the day of our meeting, bringing it forward. But also it was because at 367 small-print pages this is a far longer, denser book than I anticipated.
The story is narrated by an elderly professor, Leo Hertzberg about his life in New York between about 1975 and 2000. It is prompted by the discovery of five letters written to his neighbour and friend, the artist Bill Wechsler by Violet, the woman who was to become Bill’s second wife. They were to become neighbours, with Bill and his first, then second, wife living upstairs with their son Mark, and Leo and his wife Erica living on the floor below with their son Matt, who was of a similar age. Marriages disintegrate under the pressure of infidelity and tragedy. Leo finds himself acting as an indulgent-uncle type figure to his friend Bill’s son Mark, who proves himself unworthy of the love and indulgence extended to him as he disappears into the rave culture of New York and comes under the influence of the menacing artist Teddy Giles.
Leo is an art historian (one of the wankiest genres around, I reckon) and Bill is an artist and so there are long- far too long- descriptions of Bill’s contemporary artwork. Violet researches hysteria, anorexia and representations of the body and identity, and this is described at length too. Indeed, there is much in this book about representation and reality, and it all became rather precious and over-intellectualized.
The book starts off fairly slowly as a domestic narrative within a New York setting, but becomes far more urgent and fast-paced- dare I say, a thriller?- in the second half of the book. It really feels like a book of two halves. Leo is a gracious, self-deprecating first-person narrator, and so it felt comfortable to be in his company. The second half of the book was compelling enough that I continued to read it, even though our book group meeting came and went, but I found the descriptions of art and the self-conscious intellectualizing of the book rather tedious.
My rating: 6.5/10
Sourced from: A left-over book from the former Council of Adult Education
Read because: it was The Ladies Who Say Oooh (ex CAE) bookgroup selection.
When I first heard about Richard Flanagan’s Question 7, I thought “But that’s just a rehash of everything he’s already written”. It’s true that there are flashes of his earlier work, almost as if he’s tipping his hat to it in passing. The Tasmanian section evokes The Sound of One Hand Clapping, Wanting and Gould’s Book of Fish, his mentions of his father’s wartime experience sparks memories of Narrow Road to the Deep North and his mother’s death was explored in The Living Sea of Waking Dreams, and the final chapter brings to life Death of a River Guide. But this makes the book sound like a glorified ‘greatest hits’ and it’s much, much more than that. It’s brilliant.
The title is taken from a Chekhov story, where a question is posed in the form of those schoolroom maths questions that still give me a sinking feeling in my stomach:
Wednesday, June 17, 1881, a train had to leave station A at 3am in order to reach station B at 11pm; just as the train was about to depart, however, an order came that the train had to reach station B by 7pm. Who loves longer, a man or a woman?”
Who, indeed. The real question is love, not the train or the timetable, and it’s a question that is unanswerable. So too, is the question of causality that brings each of us where we are.
Without Rebecca West’s kiss H. G. Wells would not have run off to Switzerland to write a book in which everything burns, and without H. G. Wells’s book Leo Slizard would never have conceived of a nuclear chain reaction and without conceiving of a nuclear chain reaction he would never have grown terrified and without growing terrified Leo Szilard would never have persuaded Einstein to lobby Roosevelt and without Einstein lobbying Roosevelt there would have been no Manhattan Project, and without the Manhattan Project there is no lever at 8.15 am on 6 August 1945 for Thomas Ferebee to release 31,000 feet over Hiroshima, there is no bomb on Hiroshima and no bomb on Nagasaki and 100,000 people or 160,000 people or 200,000 people live and my father dies. Poetry may make nothing happen, but a novel destroyed Hiroshima, and without Hiroshima there is no me and these words erase themselves and me with them. (p.237-8)
We meet all these contingencies and people in this book, written as a series of small shards within ten chapters: the Enola Gay pilot Thomas Ferebee, physicist Leo Slizard, the writers H.G. Wells and Rebecca West, his parents, his childhood in Roseberry, Tasmania, the Burma Railway and indigenous dispossession. Themes arise, drop and rise again, and parts of the book are an extended reflection on death and memory, encountered over and over. It’s hard to fit in into any one genre: it’s history, non-fiction, memoir and philosophy all rolled into one. The most compelling writing in the book comes at the end, when he tells his experience of nearly dying – indeed, did he die and is all this just a dream?- that he fictionalized in Death of a River Guide. My dinner was ready, and I was being summoned with increasing impatience, but I had to keep reading, even though I knew that clearly, he did, survive – and if it was a dream, then we’re all enmeshed in it too.
I have always loved Richard Flanagan’s right from Gould’s Book of Fish, which was the first of his books that I read. I’ve read interviews as part of the publicity for this book, where Flanagan said that he didn’t know if he’d write another book and I must admit that I closed it, feeling that he had written himself completely into the book, wondering how he could ever write anything else after this.
The best book that I have read in ages.
My rating: 11/10
Sourced from: borrowed for a friend (for far too long!)
I’ve had this book reserved at the library for some time, and when I finally received it I was disappointed that it seemed to be a rehash of the excellent podcast series that I mentioned back in November 2024, before this whole Trump 2.0 nightmare began. But it isn’t. Her podcast was called ‘Autocracy in America’, and in the podcast she applies the principles that she spells out in this book Autocracy Inc to the American context, with much prescience, I’m afraid.
She notes that the old cartoon image of the ‘bad man’ autocrat is outdated.
Nowadays, autocracies are run not by one bad guy but by sophisticated networks relying on kleptocratic financial structures, a complex of security services- military, paramilitary, police- and technological experts who provide surveillance, propaganda, and disinformation. The members of these networks are connected not only to one another within a given autocracy, but also to networks in other autocratic countries, and sometimes in democracies too. Corrupt, state-controlled companies in one dictatorship do business with corrupt, state-controlled companies in another. The police in one country may arm, equip, and train the police in many others. The propagandists share resources- the troll farms and media networks that promote one dictator’s propaganda can also be used to promote another’s- as well as themes: the degeneracy of democracy, the stability of autocracy, the evil of America. (p.2)
In this book, she sweeps her searchlight onto the strongmen who lead Russia, China, Iran, North Korea, Venezuela, Nicaragua, Angola, Myanmar, Cuba, Syria (possibly outdated), Zimbabwe, Mali, Belarus, Sudan, Azerbaijan in particular- although she mentions some three dozen others. What a depressingly large list! Autocracy Inc, as she calls them, collaborate to keep their members in power by ignoring multiple international agencies, buoyed by a conviction that the outside world cannot touch them.
Her opening chapter ‘The Greed That Binds’ looks particularly at Putin, and the schemes he established to enrich oligarchs in the breakup of the Soviet Union. These oligarchs have invested in America and Britain.
Her second chapter ‘Kleptocracy Metastasizes’ turns to Chavez’s Venezuela, where Autocracy Inc. stepped in after Chavez’s death in 2013, where Russian and Chinese money poured into the country to enable Chavez and then Maduro to postpone any kind of financial reckoning as they destroyed the economy. Cuba joined with Venezuela in an anti-American agenda, and Maduro and Turkey’s Recep Tayyip Erdogan share a dislike of democracy and anti corruption movements in their own countries. Improbably, Venezuela and Iran, despite their many differences, relate on the basis of shared grievance, with Iranians buying Venezuelan gold, and sending food and gasoline in return and assisting with the repair of Venezuelan oil refineries. She looks at Uebert Angel, an evangelical pastor and British-Zimbabwean businessman who is involved in gold-smuggling schemes, some associated with Zimbabwe’s ruling party and its president Emmerson Mnangagwa. The ruling party has a long standing relationship with the Chinese Community Party and Putin’s Russia.
Chapter 3, ‘Controlling the Narrative’ looks at cybersecurity and firewalls as a way of rewriting history, as for example, in China with Tiananmen Square. Spyware and surveillance is a way of autocracies justifying their abuse of electronic technologies. Domestic propaganda in Russian state television devotes huge slabs of time to America’s culture wars. China has made an enormous investment in international media, which makes possible the spread of misinformation internationally, and RT (Russia Today) has sites which writes material, is translated into other languages, and published on ‘native’ sites to make them seem local. Yala News, run by a Syrian businessman for example, has taken material from Russian state media and spread it through Arabic news sites. As we know, websites and videos can be fake.
Chapter 4 ‘Changing the Operating System’ looks at the ‘rules-based order’ (something that powerful countries feel themselves exempt from) and the removal of language that constrains Autocracy Inc from the international arena altogether. Instead of ‘human rights’, China wants to prioritize the ‘right to development’. The term ‘sovereignty’ is used in different ways. ‘Multipolarity’, a word preferred by the Russian information networks, is meant to be fair and equitable, but is now the basis of a whole campaign systematically spread on Russia Today in English, French, Spanish and Arabic, and repeated by information-laundering sites such as Yala News. Alternative institutions in a ‘multipolar’ world agree to recognize each other’s ‘sovereignty’, not to criticize each others’ autocratic behaviour and not to intervene in each other’s internal politics. Not every member of BRICS and the Shanghai Cooperation Organization is an autocrat, but she asserts that
…if the old system was designed to inculcate the “rule of law”, these new institutions are meant to promote “rule by law”- the belief that “law” is whatever the current autocrat or ruling party leader says it is, whether inside Iran, Cuba, or anywhere else in the world. (p. 107)
She looks particularly at the Syrian Civil War and the Russian-led campaign against the White Helmets, and the involvement of the Wagner Group.
Chapter 5 ‘Smearing the Democrats’ looks at ways that the people have fought back in Poland, Venezuela, Burma and Hong Kong- although this is a very discouraging list (except for Poland). The response of autocratic government to challenge is to mount smear campaigns and make accusations of foreign interference. More sophisticated autocracies have moved beyond just killing their opponents, and now prepare legal and propaganda campaigns in advance, designed to catch democracy activists before they gain credibility or popularity.
Applebaum’s book is dedicated “for the optimists” but it’s hard to find much cause for optimism here. Her epilogue ‘Democrats United’ brings the book even more up to date by looking at Ukraine and Israel. She emphasizes that in no sense is the modern competition between autocratic and democratic ideas and practices a direct replica of the 20th century cold war. Many countries do not fit neatly into the category of either democracy or autocracy and divisions run inside countries as well. She urges a reconceptualization of the struggle for freedom as not against specific states or countries, but against autocratic behaviours, where-ever they are found- in Russia, China, Europe and the United States. She spells out a number of steps
Put an end to transnational kleptocracy through ending the whole financial system that makes it possible e.g. in real estate transactions and money-laundering and through an international anti-kleptocracy network.
Don’t Fight the Information War- Undermine it by challenging the information systems at a government level (fat chance, with Musk in power) and joining forces to make Reuters, the Associated Press and other reliable outlets the standard source of global news instead of Zinhua (China) and R.T. (Russia)
Decouple, De-risk and Rebuild – ensure that countries do not remain dependent on other autocracies
She finishes by noting that:
There is no liberal world order any more, and the aspiration to create one no longer seems real. But there are liberal societies, open and free countries that offer a better chance for people to live useful lives than closed dictatorships do. They are hardly perfect. Those that exist have deep flaws, profound divisions, and terrible historical scars. But that’s all the more reason to defend and protect them….They can be destroyed from the outside and from the inside,too, by division and demagogues. Or they can be saved. But only if those of us who live in them are willing to make the effort to save them (p. 176)
I feel as if much of this book has been superseded by recent events in America, which is really demonstrating where these links between autocracies are operating. There is one serious omission. Until the afterword, she is largely silent on Israel (I think that she herself is of reform Jewish heritage) and its provision of surveillance and military technologies to autocracies, that was described in Antony Loewenstein’s The Palestine Laboratory (which I see is now a documentary). There are other chapters earlier in the book when she could have looked at Israel earlier.
However, particularly since Trump’s inauguration, her articles in The Atlantic, bring her analysis to current events at both the American and international level, and she is an active and articulate participant in current political commentary. This book ranges over a huge number of countries and their leaders, and she told us quite clearly how Trump fits into the Autocracy Inc. model in her recent podcast. Americans can’t say that they weren’t warned, and the whole word is bearing the consequences.
If nominative determinism was a real thing, this book would be about a wealthy woman, her affluent son and their convention-shattering lives. Instead, Mary Fortune worked all her life as a writer and died in poverty, and her son George Fortune spent much of his adult life in jail.
However, ‘Mary Fortune’ is a wonderful name for a writer, even though she always wrote under many other pseudonyms, especially Waif Wanderer and W.W. Although many in literary bohemia knew her real name, it was not widely broadcast. Between 1855 and 1920 she wrote articles, serialized novels, poetry and short stories in various local periodicals, particularly the long-running and popular Australian Journal. From 1868 she contributed a column called ‘The Detective’s Album’, featuring a male detective Mark Sinclair, under the initials W.W. This eventually amounted to over 500 narratives and formed the basis of her book The Detective’s Album, published in 1871 and the first book of crime short stories published in Australia, and the first detective collection by a woman in the world. In her Ladies Page columns, writing variously as Mignon, Nemia, Nessuno and Sylphid, she was both journalist and flâneur (flâneuse) walking the streets and observing – an unusual thing for a woman- and she wrote lively descriptions of Melbourne life, similar to those being penned by Marcus Clarke at the same time, but from a woman’s perspective. She wrote a fictionalized memoir in the 1880s, Twenty Six Years Ago but there is little other personal correspondence. When you read her lively, whip-smart writing you find yourself wondering why you haven’t heard of her before.
She was born Mary Helena Wilson in Ireland, and emigrated with her father to Canada probably in the early years of the Great Famine. They were Protestant, and her father worked as an engineer. In 1851, aged 18 she married surveyor Joseph Fortune, who was to give her that very rather theatrical surname. When the gold rushes erupted in Australia in 1851, her father left, and in 1855 so did she, leaving her husband behind. She and her three year old son George, travelled to Scotland, then on to Australia to find her father, no easy feat in this raucous colonial colony where identities could be erased and redrawn easily. A woman leaving with her child, especially the only child of an only child in a fairly prosperous family, was unusual but she lived an unusual life. She had a second illegitimate child while living on the goldfields, and said nothing of her earlier marriage when she married policeman, Percy Rollo Brett, claiming widow status. The marriage did not last long and they separated, throwing Mary onto her own resources, first on the goldfields, and then in Melbourne.
In the introductory chapter, the authors write:
When the search behind this biography began, little was known beyond her name: Mrs Fortune. To find her meant following her lead as a detective writer, seeking the clues hidden in her vast bibliography. A process of literary detection began. Her game was to drop self-referential fragments- names and events from her life- into her writing. Reading an author through their work can be a trap: the biographical fallacy- the assumption that writing always derives from life. Such was not true in Mary Fortune’s case, for she had a wild imagination. She could write as vividly of a vampire or a vengeful Roma sorceress as of the Victorian goldfields. Yet even at her most sensational her default mode was realist, fed by a tenacious memory. She held grudges interminably and rehashed them in print. Details repeat through the decades of her work, and – thanks for the increasingly digitised world of archives and newspapers- they can be investigated and explained. (p. 4)
Despite the availability of her work in digital form, few readers are likely to immerse themselves in Mary Fortune’s prolific output, and thus to a certain extent we have to take on trust that Mary’s writing does throw light onto her biography. I, for one, think that the authors have identified sufficient parallels and repetitions between Mary’s life and her literary output to validate this as a way of proceeding. That said, though, without Mary’s writing, it would have been a rather thin biography.
One of the most fascinating aspects of this biography, and one which the authors bring out really well, is the paradox that Mary Fortune built her literary reputation (albeit under a nom-de-plume) on criminal activity through her ‘Detective’s Album’ columns, while her only son was completely enmeshed in the criminal system as perpetrator and prisoner. George Fortune’s life, from the age of fourteen was a series of arrests and imprisonments, starting with his arrest for stealing a hat in July 1871. From here he was committed to industrial schools, farm placements, youth imprisonment at Pentridge and eventually long stints in jail in both Victoria and Tasmania. There was no glamour in his criminal history of crime and recidivism.
Mary Fortune had been married to a policeman, and in many ways she mined this connection for the rest of her life. She may have herself been a ‘fizgig’, a police informant. The ambiguous relationship between law and crime lies at the heart of any number of detective series, and it is given an extra frisson in relationships between police and informants, especially women informants. However, her literary career and her son’s criminality came into collision when she published a column in the Ladies Pages of the Herald, where she wrote as ‘Nemia’, that described her visit to Pentridge jail in Melbourne to visit a young, unnamed man. Soon after, for fear that ‘Nemia’ would be linked to the prisoner George Fortune, Mary was sacked from the Herald. She would not return to the newspaper for several years, and then only with fiction.
Mary Fortune lived in the ambiguous space between ‘upper’ and ‘lower’ Bohemia. Other writers knew her, and she conducted a long rivalry with Marcus Clarke whose Peripatetic Philosopher columns were a masculine version of own columns. She would ever only be a contributor, and an anonymous one at that, while her rival Clarke became ‘conductor’ of the Australian Journal in 1871, and as a result her presence in the journal declined. But she was a denizen of ‘lower’ Bohemia as well, with constant money worries, arrests for drunkenness, and a stint in the Benevolent Asylum in North Melbourne before shifting as a lodger between various charitable women. Her son predeceased her, dying in jail in Tasmania, and she died penniless and for many years forgotten.
But not by Lucy Sussex, who had first encountered Mary Fortune when she was working as a researcher for Professor Stephen Knight at Melbourne University, who was researching the history of Australian crime fiction. She wrote her PhD and a subsequent book on the Mothers of Crime Fiction, and a novel based on her search for Fortune called The Scarlet Rider. She edited and published a selection of Mary’s memoirs and journalism in 1989 as The Fortunes of Mary Fortune. Megan Brown completed her PhD on Mary Fortune, and they have co-presented at various conferences. In a closing chapter, Sussex describes an academic joust with another historian whom she dubs ‘Rival Researcher’ who took a rather malicious glee in obscuring her sources, and interactions with Melbourne historian Judith Brett, a descendant of Mary’s policeman ‘husband’, who helped her to start to look at Mary’s son George as a narrative thread in piecing together Mary’s life.
I’m always interested by books that are a collaborative venture because, to me, writing seems such an individual and personal endeavour. The authors only present separately in their closing chapter, yet I wonder if the seams between the authors can still be detected (the book has infected me, now I’m playing detective too!) The introduction frames the authors’ search as a game of literary detection and certainly the conclusion, which evokes the academic rivalry of A. S. Byatt’s Possession, returns to this topic. This theme of literary detection runs subtly through the narrative, reappearing when the authors interview current-day detectives and undertake computer-based forensic linguistic testing of Mary’s writing style to clarify her authorship of individual stories. While cautioning against the perils of applying modern day diagnoses to peoples’ behaviour in the past, they do so nonetheless, suggesting that George Fortune today might be diagnosed with Anti Social Personality Disorder. The reference to Nicola Gobbo as police informer was instructive for me as a Melburnian, but it will date the text and soon be irrelevant. I wonder if these eruptions of current-day commentary reflect the preferences of one of the two authors, or whether they both saw these present-day parallels. Likewise, the introduction of subheadings on just three occasions seemed to jar a little from what was otherwise a flowing narrative, and perhaps reflects the joint authorship- but I don’t know.
Mary Fortune’s good fortune was to have two biographers in Lucy Sussex and Megan Brown who have worked hard over so long to bring her name, and her full-rounded life story before 21st century readers. Their biography is deeply researched, readable and imbued with admiration and sympathy for a trail-blazing woman writer, whose writing is still brisk and lively today.
My rating: 8/10
Sourced from: Review copy from Black Inc., with thanks
The Resident Judge of Port Phillip 