One of the problems with writing a book that is almost completely reliant on a big narrative twist in the middle is that you can’t really review it, without spoiling it for others. So, I won’t do either- review it, or spoil it.
The book is told in the conversational narrative of an American woman looking back over her childhood, which was ruptured when her sister left. And I’ll leave it at that.
How would I have reacted to this book without the ‘great reveal’, I wonder? Probably not as favourably, because there’s a sort of shocked delight in going back over your assumptions when you’ve had them turned upside down.
Once you’ve read the book, do an image search for the front cover. It’s interesting that some of the front cover designs give away the story much more than the cover on the version I read (above).
Read because: it was a CAE bookgroup selection
My rating: 7/10