2013, 173 p.
We’re told that it’s all about controlling the narrative. Politicians all do it, it seems; and we risk losing control of our narrative by putting too much of our lives onto the internet, we’re told. All this might seem far removed from good old Queen Victoria, but on reading Unsuitable for Publication, I’ve realized that it isn’t. Then and now, it’s all about image creation and the interplay between the image we think we have constructed and the image that others might massage or manipulate from our words.
Queen Victoria was a huge correspondent. She wrote 122 volumes of her diaries over her long life and she maintained a large correspondence with her family members so widely dispersed amongst the royal families of Europe, as well as a vast network of communication amongst politicians, and other notables. It has been estimated that she wrote an average of 2500 words each day of her adult life, and perhaps sixty million words in the course of her reign (p.9). What to do with all this writing? Her daughter Princess Beatrice thought that she knew. Queen Victoria had appointed her as her literary executor, and after her mother’s death and over 30 years she copied the entries of the 122 diary volumes into 111 thick exercise-books, altering and censoring anything liable to ‘affect any of the family painfully’, then burnt the originals. Interestingly, Victoria herself had published extracts from her own journals while she was on the throne, so she wasn’t beyond a bit of image-creation herself. Continue reading