Are there more books being published about the slide into dementia and confusion, or it just that I perceive it that way because of my own fears? Writer and academic Matthew Hooton is rather too young to be facing this situation himself, but he captures well the slipperiness of memory in this beautifully written book. If you’re looking up ‘Matthew Hooton’ to find out more about him, you’ll find that unfortunately for him, he shares his name with a former National Party politician from New Zealand. But there’s a certain irony in that because Jack, the narrator of Everything lost, Everything found also shares a name with another Jack in Henry Ford’s rubber plantation in the Brazilian Amazon, where he travelled with his parents in 1929.
There are two threads to this book. One is Jack’s memories of Fordlandia in Brazil, a cookie-cutter American suburb transplanted into the Brazilian jungle, under the control of the morality agents charged with carrying out Henry Ford’s vision for a colonial outpost to establish rubber plantations in the jungle, while gradually easing out reliance on native rubber-gatherers. The second thread is that of Jack’s life in Michigan, in what is now a deserted Ford Factory town, as his wife Gracie is sliding into dementia and a slow death with cancer.
The descriptions of the jungle are just gorgeous, and the jungle itself seems to take on a personality. But it is a malevolent personality: taking Jack’s mother’s life in a caiman attack on the river, and driving Jack’s father into his own madness in searching for his wife’s body in the jungle. A man half-dead from exposure and the jungle’s flesh-eating insects staggers into Fordlandia, and Jack himself is not sure whether it is his father or not. Young Jack himself is forced into a battle with the jungle as he and Soo, a young Korean girl who had worked in the sanatorium laundry, try to escape the morality agents who have shopped her to the Japanese.
I read this book because I had recently read Hooton’s Typhoon Kingdom (review here) and at first I was struck by the difference in setting between his earlier book and this one. But Korea (where Hooton lived and worked for some time) works its way into this book as well, when Soo explains that she is Korean royalty has escaped the Japanese in their takeover of Korea early in the 20th century. I’m not sure whether this strains credulity or not.
But there is no difficulty at all in watching the older Jack, seventy years later, defiantly trying to stay in his family home as his life revolves around visiting his wife in the nursing home. Jack’s relationship with his divorced daughter Jess is strained, and his grandson Nick is a mixture of solicitous and off-hand adolescence as he is trying to negotiate his own relationship with his father.
In fact, one of the things that really impresses me about Hooton’s writing is the way that he is able to emotionally inhabit someone that he clearly is not: a Korean comfort woman in Typhoon Kingdom and an old man here. His characters have an authenticity and layers of complexity, and their dialogue and tone is distinctive and convincing.
The two story lines become increasingly intertwined, as Jack himself becomes more addled, and as the past colonizes the present, not unlike the colonization attempt of Fordlandia. Jack’s narrative voice is comfortable and engaging, and as a reader you want things to be better for him.
I really enjoyed this book. In one of those little twists of coincidence, I read a review from 1925 of Henry Ford’s rather burnished autobiography, which was written before the establishment of Fordlandia and some of the more unsavoury aspects of Ford’s politics. Moreover, I had only recently read Hooton’s earlier Typhoid Kingdom, and so the Korean aspect was familiar to me as well. But quite apart from that, I just enjoyed the beauty of the descriptions, the poignancy of loss and grief, and the sheer humanness of it all.
My rating: 9/10
Read because: I enjoyed Typhoon Kingdom and I saw that he had a new book out
Sourced from: Yarra Plenty Regional Library
