Category Archives: Book Reviews 2025

‘The Uncaged Sky’ by Kylie Moore-Gilbert

2022, 403 p.

It is a paradox that repressive penal systems try to break an individual in two opposed ways. Either they quash the individual through impossible labour in a mass dehumanizing project (I’m thinking here of the long-ago-read The Gulag Archipelago or One Day in the Life of Ivan Denisovich) or they annihilate prisoners’ identity through enforced idleness and solitary confinement. University of Melbourne academic Kylie Moore-Gilbert was arrested in September 2018 on charges of espionage, and spent over a year in solitary confinement during her 804 days in the Iranian Evin and Qarchak prisons.

By its very nature, it’s hard to write about solitary confinement, because just like the space and the endless nothingness, there’s only so many words in which to express it. When the stream of days is broken by Ramadan for a second time, she is struck by the waste of her life:

Thinking about Ramadan a year later meant the unbearable realisation that I had wasted another twelve months of my life in 2A. Twelve months in a world whose total inhabitants could be counted on both hands. Twelve months in a world which had to be navigated in darkness, via touch and sound and slivers of light through the edges of a blindfold. Twelve months in which time did not exist, in which each day was both a minute and a decade, in which each week was both a second and a hundred years. Last Ramadan felt like it was only yesterday, because so little had happened in the interim. But then again, everything had happened. Everything and nothing. (p. 249-50)

I seem to have read or watched a couple of accounts of imprisonment lately (the film The Correspondent – review here– and books and articles about Jose Mujica). What comes over strongly with both Peter Greste and Kylie Moore-Gilbert is their utter bewilderment as the framing of charges seems to change over time and comes long after the initial arrest. Both Australians feel poorly served by many of the embassy officials dealing with them at first (although this seems to shift with time) and both feel that nothing is being done at an inter-government level to seek their release. The advice given to families at home to keep quiet and leave it to the government flies in the face of what both Greste and Moore-Gilbert felt they needed in the situation, and in both cases hunger striking and intransigence attracted more attention – not always welcome- than compliance and silence.

For Moore-Gilbert, the experience of solitary confinement, and having to return to it for a promised 96 hours that stretched into months, was almost intolerable. At times she urged that her behaviour, which at times was unwise, be considered as a symptom of mental illness and she was certainly dosed up with anti-depressants and sleeping tablets.

The most unnerving and treacherous aspect of her imprisonment was the complex relationship she had with her main interrogator Qazi Zadeh from the Iranian Islamic Revolutionary Guard. Saturnine and powerful, she claims that he began flirting with her, while incredibly having his wife appointed to supervise her. She needed to walk the tightrope of resisting his advances, while trying to leverage them to her advantage. Just as freedom was within her grasp, she found herself blocked by him, in a bizarre attempt to keep her in jail so that he could continue to contact her. It must have been a lonely, high-stakes situation where she could trust no-one, and in a mis-step she told his wife that the relationship was not of her volition. It only made it worse for her.

What made it possible to continue with the book was the knowledge that she did, eventually, gain release in exchange for three Iranian prisoners held by the Thai government. Was everything possible done by the Australian government for her? At the end of the book she is grateful to Nick Warner and the Australian ambassador Lyndall Sachs, although she has raised questions about the softly-softly approach.

She notes that 43 years of Islamic Republic rule has plunged Iran into a “crisis of human rights of unfathomable proportions” with the country becoming an open-air prison of 84 million people (p. 403). As occurred with Peter Greste, and with other political prisoners, she finishes the book with a plea for other political prisoners who have not been released.

I can’t help but be profoundly affected by what I witnessed inside some of Iran’s worst prisons. I feel it is my duty to speak up for my friends, as it is to tell the truth about what happened to me. If the events I have recounted in this book have similarly touched you, dear reader, I ask you, too, to use your voice. When you are a prisoner, knowing that there are people on the outside who support you and care about your plight truly can be the difference between giving up or continuing the fight. (p. 403)

We can only take her word for it.

My rating: 8/10

Read because: I had been aware of her imprisonment and wanted to learn about the experience from her perspective as an academic.

‘Homegoing’ by Yaa Gyashi

2016, 300 p.

Despite its modest 300 pages, this book covers a huge scope, covering three hundred years over two continents: Africa and America. It opens in Ghana in the mid 18th century, with two half-sisters who are unknown to each other. One sister Effia, of Fante tribal heritage, is coerced into marrying a white British officer sent to oversee Cape Coast Castle, a staging post for enslaved Africans prior to being shipped across the Middle Passage. Living in luxury at the Castle, she is oblivious to her half-sister Esi, of Asante tribal heritage, imprisoned as “cargo” in the basement holding pens, before being shipped to America. The two family trees bifurcate at this point as Effia’s line stays mainly based in Ghana, with the ongoing effects of colonization affecting the life events of generation after generation. Esi’s line is based in America, spanning slavery, Jim Crow legislation, the Harlem Renaissance and drug-fuelled urban life.

The opening pages of the book have a time line, tracing the generations in two distinct branches. The narrative alternates between the two branches, in a series of fourteen separate but linked short stories. They could be read separately because each one in effect starts again in its opening paragraphs, although there are small familial references that allow the reader to place the character within their familial context. In many ways this disjointed narrative reflects the dislocation of slavery and the rootlessness of not knowing where you come from. It was a rather jarring reading experience: you would come to be invested in a character, only to have the narrative whisk you across the ocean and time into a new story.

Running through the book is the theme of betrayal and complicity. The coastal Fante tribe capture and sell the Asante people to white slavers. In Harlem Renaissance New York, a black man who ‘passes’ as white leaves his wife to marry a white woman. Step-mothers are cruel to their step-children; families shun their gay children. There is also the theme of severance: two half-sisters growing up on different sides of the globe; and particularly in the American part of the narrative, severance between parents and children, one of the tools of enslavement, but which recurs from generation to generation. This severance lies at the heart of identity and reflects the title of the book: one of the characters, speaking of the Back to Africa movement says “We can’t go back to something we ain’t never been to in the first place. It ain’t ours anymore.”

A rather heavy-handed motif of the book was a pair of gold-flecked stones, one each given to the two half-sisters by their mother Maame. Esi’s stone was soon lost, buried in the mud of the holding cell at Cape Coast Castle, while the other stone was handed from generation to generation. I was dreading a rather mawkish resolution of the two stones at the end of the book but fortunately Gyasi was an astute enough writer not to fall to such an easy trope.

I enjoyed the book, with the equal weight given to the Ghanan and American experience, a weight judiciously and scrupulously meted out. I did find myself thinking of Alex Haley’s Roots which took a similar generational approach but from memory, there was not the bifocal approach of both African and American stories in that book.

It is particularly impressive that this is a debut novel, as the author has such control of a tightly structured dual narrative. The structure did feel a bit like a straitjacket at times, and not all characters were as fully developed as others. But it is a good exploration of slavery, colonialism, inter-generational trauma and the intersection of colour, class and gender- in many ways a book of its time, despite its historical focus.

My rating: 8/10

Read because: Ivanhoe Reading Circle selection. I wish that I had written this review soon after reading the book, instead of waiting weeks. You’d think that I’d know by now.

Sourced from: Readings paperback.

‘No Dancing in the Lift: A Memoir’ by Mandy Sayer

2025, 227 p.

I feel a bit as if I’ve come half-way into a conversation with this book, because this memoir by Mandy Sayer is in fact her fourth (no fear of an unexamined life, here). But although it is discussing her life, it is more a love letter to her father, Gerry, addressed to him in the second person.

At my age, one attends an increasing number of funerals. I’ve often been struck by the practice in giving eulogies where the deceased person is addressed as “you”, as if they are present and listening. This is how Sayer speaks to her father, as she revisits their shared life and describes the last months of his life as she visits him daily as he moves between hospice care and her own apartment.

Her father had not been a constant presence in her life. Her parents, Gerry and Betty, separated when she was ten years old. It was an erratic, bohemian, drug-and-alcohol fuelled upbringing, and when she went to live with her mother, along with her siblings Lisa and Gene, her mother subsided further into alcoholism and toxic relationships. There were reconciliations, and further falling aparts. Her father came back into her life when, at the age of 20 she travelled with him to the United States to busk on the streets and parks of New York City, New Orleans and Colorado, he on drum, she tap-dancing. Now, in No Dancing in the Lift her own marriage has ended and she is a published author circulating in the literary scene in Sydney, and her father is dying of cancer.

Her father had been a noted jazz drummer in Sydney, playing with both local and international acts. He had a cleft lip and palate, which affected his speech badly. As I have a cleft myself, I was interested to see the child’s-eye view of the parent’s condition. It was accepted completely, and she knew that he had spent years at Westmead Children’s Hospital having surgery. (Actually, having experienced it myself, I know that surgery was more a recurrent than ongoing event, often with years in between surgeries- although it might not have been remembered that way). At one stage, her father falls asleep open-mouthed, and for the first time, she could see into his mouth and was appalled to see how incompletely the palate had been repaired.

As her father’s cancer progresses, he becomes hostile and belligerent, although this subsides after further health conditions emerge. Her siblings, having survived the same childhood that she did, are troubled people as well: either distant in the case of her sister, or manipulative in the case of her brother. Both parents had embarked on complicated relationships after the marriage breakup, and as Gerry becomes sicker, people and situations emerge from his past. But fellow musicians and writers emerge as well, and the reefers and drinks flow in what must have seemed a racketty lifestyle in the midst of the inflexibility and judgement of hospitals and institutions.

In the midst of this, Sayer meets fellow author Louis Nowra, who was married at the time and their relationship deepens from initial attraction, to a chaste and tentative friendship, then to a full-blown love affair, observed and encouraged by her father Gerry. Death and love, both becoming stronger at the same time: it is a confronting, and yet in many ways, perfectly natural conjunction.

She has not changed names in this book, and so you meet authors Louis Nowra and Linda Jaivan, musician Jeff Duff, and actors Geoffrey Rush and Cate Blanchett move in and out of the pages. It is an intensely local book, with the landscapes of Sydney and Darlinghurst described evocatively.

From the start of the book, you know as a reader how the book is going to end. What did surprise me was that these events took place twenty five years ago, as the rawness and the hollowness seemed so recent. Although I shouldn’t really be surprised because, as the child, you are always the child. Although, as she says, her father has taught her how to grow old- and in his case, unrepentantly and without necessarily growing up.

My rating: 8.5/10

Sourced from: review copy from Transit Lounge, via Scott Eathorne.

‘Jose “Pepe” Mujica: The Labyrinths of Life’ Dialogue with Kintto Lucas

2020, 119 p.

This is a dialogue between the ex-president of Uruguay, Jose Mujica, and Kintto Lucas, a journalist, writer and Vice-Chancellor and Ambassador for Uruguay under Mujica’s government. As Lucas explains in the introduction, he first met Mujica in the Punta Carretas prison in 1971, when Lucas was just eight years old. He visited his older brother, who like Mujica was a member of the National Liberation Movement – Tupamaros (MLN-T) every Saturday. This was the prison from which 106 Tupamaros escaped in 1971 by tunnelling out of the prison, but Lucas’ brother was not among them. His cell had been changed at the last minute, and he no longer had access to the tunnel. However, by 1972 he was released and exiled to Chile. Kintto left Uruguay in 1980 and lived in Brazil until he returned after the withdrawal of the military in 1985. On his return he joined the MLN as a militant and worked as a journalist on a Mate Amargo bi-weekly Tupumaro newspaper, which became the best-selling newspaper in Uruguay.

Why am I talking so much about the author, and not Mujica himself? That’s because Lucas himself is front and centre in this book, with a 54 page introduction and he certainly doesn’t take a backward step in the interview, either. I didn’t bother counting the words, but I suspect that Lucas talks as much as Mujica does, and at times I just wanted him to shut up.

There’s lots of internal Uruguayan politics in here, which went right over my head. Still, it was good to get beyond the aphorisms and homespun wisdom that Mujica repeated over and over in his many interviews with Western journalists. I’m not sure whether this book was written in English or Spanish- an editor is credited, but not a translator- but it is rather strangled English and not particularly pleasant to read. As Mujica rarely spoke English, I think that this is a transcript of a Spanish conversation translated by the author, but it does not read particularly well.

Apparently when the Tupamaros held up a bank or a cinema, they would harangue the literally captive audience about politics and justice, before letting most of them leave. Reading this, you go away feeling rather ear-bashed by both of them too.

My rating: 6/10

Sourced from: Kindle e-book.

‘A Spot of Bother’ by Mark Haddon

2007, 503 p.

I read in succession two books that start off with the sudden death of a middle aged man, and writing this review some time (too long) after reading the book, I find myself getting confused between this book and J. R. Rowling’s The Casual Vacancy (reviewed here). Both are set in England, both have unlikeable characters and treacherous families, and neither shows off the author’s skills to best effect.

George is a 61 year old retiree who would certainly qualify for the Dull Men’s Club. The secret of contentment, he thinks, lies in ignoring many things completely. Things like his wife’s affair with his ex-colleague or the wisdom of his daughter marrying a man who seems to be nearly as dull as George is. But when George discovers a lesion on his hip, he is convinced that it is cancer and spirals off into his own whirlpool of paranoia, planning to kill himself or, literally, to take matters into his own hands. Meanwhile, his wife Jean is recapturing her lost youth with George’s business partner David, an affair that she sees as something romantic and beautiful, but which, when George discovers them having sex, is unattractive and embarrassing between two “old people”. When George and Jean learn that their daughter Kate is going to marry Ray, a tradesman with a strong northern accent, they both disapprove, as does Kate’s gay brother Jamie. Somehow weddings often seem to bring out the worst in families. Jean’s meddling, Jamie’s huffiness over whether his boyfriend Tony should be invited and how he will be received, and tension and uncertainties between Kate and Ray make this whole wedding seem a disaster in waiting. The whole thing teeters into farce, which undermines somewhat the rather acute and poignant observations that Haddon had made along the way.

The story is told from the varying perspectives of the characters, each of them rationalizing their stance, as we all do. What Haddon does well is butt these perspectives up against each other, challenging the veracity of the various points of view. Jean, for instance, sees herself as a vibrant and attractive older woman, where George sees her as a slightly repellent, plump, aging woman with witch-like hair. George sees himself as a slightly ironic, logical older man, where Jean sees him as a rather pathetic, lost retiree looking for relevance. Kate values Ray for how good he is with her young son Jacob; Ray is bemused by how angry Kate is all the time.

This book had none of the endearing charm of The Curious Incident of the Dog in the Night-Time, and it felt as if it could have been written by any number of middle-ranking English authors. The ending was just ridiculous, and I finished the too-lengthy book – and its unlikeable characters- feeling as if I was glad to leave them all behind.

My rating: 6/10

Sourced from: ex- CAE Bookgroups stock

Read because: my ex-CAE Ladies Who Say Oooh Bookgroup chose it from the dregs of the books left over now that CAE has closed.

‘The Robin Hood Guerillas: The Epic Journey of Uruguay’s Tupamaros’ by Pablo Brum

2014, 402 p.

I’ve been dipping into books about Uruguay- a place I’ve never been- and about Jose (‘Pepe’) Mujica, the ex-President of Uruguay who died recently. I haven’t been able to find many English-language books about the Tupamaros, especially recent ones, and this book, written in 2014, seemed to be as recent as I was going to find. I know little about the historiography of Latin America, and Uruguay in particular, or the author (who was/is an American international security analyst – whatever that is) so I can only take the book on its own terms. To my admittedly untrained eye, the book seemed to be fairly even-handed, and easily read by a newcomer to the area, although an index for the huge range of characters would have been useful.

So the Tupamaros- what a strange name. This Marxist-Leninist urban guerilla group took its name from Tupac Amaru II, the leader of a failed Andean rebellion against the Spanish in Peru, who was executed in 1781. The group, more properly known as Movimiento de Liberación Nacional – Tupamaros, MLN-T formed in the early 1960s, and one of their first acts was to steal weapons and ammunition from the Tiro Suizo, a shooting range in Colonia, Uruguay. The weapons, supplemented by stolen police uniforms, enabled them to conduct a range of audacious hold-ups and kidnappings which earned them the sobriquet ‘The Robin Hood Guerillas’. Their mode was ‘armed propaganda’ which combined the mostly harmless brandishing of weapons with a healthy (if somewhat tedious) dose of ideology and propaganda to which they subjected their victims. At first there was, indeed, a Robin Hood element, when they combined social justice and retribution against corruption in their criminal activities, often undertaken both as a form of armed propaganda and in order to procure more weapons, ammunition and money to conduct further raids.

Despite admiration of both the Cuban and Chinese revolutions, and the sympathy the leaders had for the agricultural workers (particularly by Raul Sendic and Jose Mujica) it was decided that they would eschew the examples of other peasant-based revolutions and instead undertaken urban guerilla action. This was largely a result of geography: as a small, flat country there were none of the mountain hideaways that guerillas could melt into, and at times when both Brazil and Argentina had right-wing governments, they could not count on fleeing over the border.

At first, they seemed to have widespread, if often tacit support. They could call on doctors to repair their injuries, and lawyers, bank officials, government employees and others enabled them to infiltrate and provide intelligence about their targets. Brum reveals a grudging admiration for the audacity of their raids, and their sheer ingenuity and logistical planning of escapes when the police rounded them up. Their escapes- especially when 100 prisoners tunnelled out of the Punta Carretas – made them seem invincible (in much the same way, unfortunately, as the drug cartels in South America have seemed inthe past).

Brum spends some time on Alejandro Otero, the police commissioner with formidable MLN-hunting skills, who in a Javier/Jean Valjean type of struggle with the Tupumaros, exhibited a mixture of fixation and grudging admiration, as did the Tupumaros with him.

But over time, as more of the original Tupamaros were arrested or fled into exile, the movement became more violent. They lost support when their kidnap hostages were murdered, rather than set free after a few months, and in many ways their actions prompted the takeover of the military, albeit with the acquiescence of the civil authorities. The murder of rural labourer, Pascasio Baez, by lethal injection of penothal also cost them support.

Once popular support leached away from them, and the grip of the military hardened, the Tupumaros disappeared from the headlines. But Brum follows them into their imprisonment, divided into groups of three, held in prisons with varying degrees of cruelty.

I gather that Brum makes some contested points in this book. He argues that it was not certain-indeed, he leans towards refuting- that U.S. government official Dan Mitrione, who was murdered in 1970, actually trained the police in torture methods. He suggests that during 1972 and 1985, when the nine most prominent Tupamaros were imprisoned, and moved from one military base to another, the Tupamaros themselves sent out feelers to the very military that was imprisoning them, to see if they could work together.

He finishes his book with a ‘where-are-they-now’ survey, current as of 2014. Raul Sendic, the icon of the Tupamaros, suffered appalling facial injuries in a shoot-out, and died in 1989. Some, like Jorge Zabalaz and Mauricio Rosencof retained their radicalism. Brum is bemused, and amused, by the popularity of Jose Mujica that saw him become no less than President. As he points out, a surprising number of the players in the 1970s still had sons involved in politics fifty years later.

Brum criticizes the barbarity on both sides- on the part of the Tupamaros who drifted away from the somewhat romantic (and romanticized) view of the Robin Hood guerilla, and on the part of the military who honed their cruelty on the nine Tupamaros leaders under their control. Despite the audacity and logistic brilliance of their early exploits, Brum’s linking of them with their ideological descendants like the Californian Symbionese Liberation Army who kidnapped Patty Hearst, or the Weather Underground, or the urban guerilla Rote Armee Fraktion in Germany, or the Italian Brigate Rosse is rather chilling. He closes his book with the observation that, despite Mujica’s proclamation that he “fought for a fatherland for all”

…many individuals were left behind in shootings, executions, and torture chambers: civilians, insurgents, policemen, and soldiers. For them there really was no more fatherland.

I enjoyed this book, although I was mystified by the curious insertions of #### and ++++++ to denote endnotes, as well as nearly 600 footnotes throughout the text. It was supportive of a reader with little knowledge, and he established the major characters sufficiently clearly that you could trace them throughout the narrative, although they threatened to be swamped by so many minor characters mentioned in person. Jose Mujica, whom I admire, once said

I am still a Tupumaro. I never stopped being one. A Tupumaro is someone who rebels against injustice.

After reading this book, I think I understand a little better what he meant.

My rating: 8/10

Sourced from: purchased Kindle book

‘Bombard the Headquarters! The Cultural Revolution in China’ by Linda Jaivin

2025, 128 p.

Since the Orange One has launched his mayhem on the world – did this second presidency really only start in January?- China and Xi Jinping are presenting themselves as a calm, considered and stable presence on the world stage in comparison. It’s a seductive thought, but after reading this small book, I came away convinced that there is a fundamental difference between China and Western democracies in terms of both means and ends that we ignore at our peril.

Many historians mark 16 May 1966 as the start of the Cultural Revolution, when Jiang Quing (Mao’s fourth wife) and Mao circulated a document amongst the Party members which warned of ‘counter-revolutionary revisionists’ who had infiltrated the Party, the government, the army and cultural circles. This document was only made public a year later, but it was popularized in August 1966 by “Bombard the Headquarters”, a short text in written by Mao Zedong himself and published widely. It was a call to the students, who were already confronting their teachers and university lecturers, exhorting them that ‘to rebel is justified’. Yet the headquarters he was urging them to target were the headquarters of his government; of his party. Within three months there would be 15 to 20 million Red Guards, some already in university, others as young as ten. They were urged to ‘smash the Four Olds (old ideas, culture customs and habits) to make was for the creation of a new revolutionary culture. Mao did not explicitly call for the formation of the Red Guards, but he harnessed them as an alternative source of power to the government and, at first, beyond the control of the army until it also joined in the Cultural Revolution in January of 1967.

With Khruschev’s denunciation of the cult of Stalin, Mao felt that Russia had betrayed the revolution and that China needed to return to the dictatorship of the proletariat. Even though 1966 is seen by many as the starting point, Mao had been moving towards this point for several years, moving against the deputy mayor of Beijing and historian Wu Han, removing the People’s Liberation Army chief of staff and premier Luo Ruiquing, and splitting with the Japanese Communist Party because it failed to call out Soviet revisionism.

Some of his party colleagues, most especially Liu Shaoqui, Deng Xioping and Zhou Enlai, held qualms about Mao’s call for continuous revolution led by the Red Army. And well they might have, because quite a few of Mao’s judgment calls – The Great Leap Forward and the Hundred Flowers Campaign- brought unseen (to him) consequences, and the schemes ended up being abandoned. But despite any reservations his colleagues may have held, the Great Proletarian Cultural Revolution went forward, with the Red Guards murdering 1800 people in Beijing alone in Red August 1966. The Red Guards were joined by the workers in late 1966, and the Army in January 1967.

At a dinner to celebrate Mao’s 73rd birthday on 26 December 1966, he proposed a toast to “all-out civil war and next year’s victory”. He got his civil war. Children denounced parents; both the Red and the conventional army split into factions. The targets of the Cultural Revolution were the Five Bad Categories- landlords, rich peasants, counter-revolutionaries, bad elements and ‘rightists’. Temples, churches and mosques were trashed; libraries set alight, hair salons and dressmakers’ shops attacked, and even the skeletons of a Wanli emperor and his two empresses were attacked and burned. The verb ‘to struggle’ came to have a new meaning as ‘enemies’ were “struggled” into the airplane position, forced to bend at the waist at 90 degrees with their arms straight behind, with heavy placards hung around their necks and hefty dunce caps on their heads. Teachers, academics, musicians, writers, local officials were all ‘struggled’, with day-long interrogations that ended with instructions to return the next day for more after being allowed to go home overnight. No wonder so many people committed suicide.

By September 1968, the civil war was declared over, with ‘the whole nation turning Red’. However, with the deteriorating economic situation, and with a perception that people living in the cities were not pulling their weight, Mao decided that ‘educated youth’ needed to receive re-education by the poor and middle-class peasantry (p. 68). In 1969 as many as 2.6 million ‘educated youth’ -including present-day president Xi Jinping- left the cities for the country side. Some did not have to go too far from home, but others were exiled to the brutal winters of the Great Northeast Wilderness, or the tropical jungles of Yunnan in the south-west. Some villagers were ambivalent about these ‘soft’ teenagers, although they welcomed the goods and knowledge that they brought with them. The young people were often shocked by the poverty and deprivation in the villages, which contrasted starkly with the propaganda of the happy prosperous countryside they had accepted.

The Cultural Revolution had morphed in its shape, with the 9th Party congress declaring that the Cultural Revolution was over in April1969, and Mao criticizing his wife Jiang Quing and her radical associates in the ‘Gang of Four’ in May 1975. The outside world was changing too. A border war with USSR in March 1969 provoked fears of nuclear war, and the United Nations recognized the People’s Republic of China over Taiwan. President Nixon visited China in February 1972 (Australia’s Gough Whitlam, then opposition leader, had visited in July 1971) and Mao died in September 1976, eight months after the death of Zhou Enlai. In 1981 the Party declared that the Cultural Revolution had been a mistake, and that Mao had been misled by ‘counter-revolutionary cliques’. All at the cost of at least 4.2 million people being detained and investigated, and 1.7 million killed. Some 71,200 families were destroyed entirely. It has been estimated that more people were killed in the Cultural Revolution than the total number of British, American and French soldiers and citizens killed in World War II (p. 106)

The Cultural Revolution may seem an event of the 20th century it’s not that far away. Xi Jinping and his family were caught up in the Cultural Revolution, and tales of him toiling alongside the peasants in the countryside is part of his own political mythology. We here in the West are well aware of the Tienanmen Square protests of 1989, but there is no discussion of them in China. When Xi Jinping took power in 2012, discussion of the Cultural Revolution, the Great Leap Forward and the resulting famine, were all increasingly censored. Xi Jinping abolished the two-term limit to presidential office in 2018, making it possible for him to be President for life. New generations of nationalist fanatics have arisen, likened (for good or bad) to the Red Guards.

This is only a short book, running to just 107 pages of text. In its formatting and intent, it is of a pair with Sheila Fitzpatrick’s The Death of Stalin (reviewed here), and both books deal with hinge-points that, although taking place some 50 years ago, resonate today with even more depth. As with Fitzpatrick’s book, Bombard the Headquarters opens with a timeline and a cast of characters, but I found the brevity of Jaivin’s character list made it harder to establish the various protagonists in my mind, exacerbated further by unfamiliar names. What I really did like was the way that she interwove the stories and experiences of individuals alongside the ‘massed’ nature of this revolution. When we see the huge crowds of people in Tiananmen Square, and the chilling precision of the Chinese army at the parades that dictators are so fond of, it is hard to find the individual, but she has worked hard to keep our attention on the people who lived through, suffered, and did not always survive such a huge experiment in social engineering.

My rating: 8/10

Sourced from: Review copy from Black Inc. books, with thanks.

‘The Casual Vacancy’ by J.R. Rowling

2012, 503 p.

As I have related several times in this blog over the years, when I was young I read Hans Christian Anderson’s The Snow Queen. In that story, a shard from an evil, broken mirror entered the eye of a little boy, Kay, who from then on could only see ugliness in everything. I think that J. R. Rowling may have a similar shard in her eye, at least in this book. It was her first book for adults, written after the Harry Potter series that had captured young readers and accompanied them into adulthood. It is ugly, snarky and ends in a tragic melodramatic conclusion. I was hooked, after a very slow start, but in the closing pages of the book, I just thought “this is ridiculous”.

I’ve always thought that Rowling is very good with her beginnings, particularly in her Cormonan Strike books- three pages and you’re in. She starts well here too, with a death in the first few pages, but instead of jump-starting the book, the impetus dissipates as various people in the fictional town of Pagford learn that their local councillor Barry Fairbrother has died. The ‘casual vacancy’ caused by his death prompts a local election to fill his seat, and Rowling introduces a wide range of people who are taking a particular interest in this election.

Pagford is an older town, established in the days when ‘parishes’ were the backbone of local government, but time has brought many changes. A council estate called rather ironically The Fields, with low-income and social housing, had been built nearby and had been attached to the Pagford Parish. At the time of Barry’s death, the council had been engaged in negotiations to sever The Fields, and have it come under the jurisdiction of the larger, more modern city of Yarvil. For many Pagford ratepayers, this would shift the problem of drug addiction and social dislocation onto another council but Barry Fairbrother, as a former Fields boy himself, was leading the push to have The Fields remain in Pagford. The now-vacant seat on the parish council was a means to influence the outcome.

There is a huge range of characters in this book, and it took quite a while for me to embed who-was-who into my mind. They’re a rather unsavoury lot: the morbidly obese Howard Mollison who is angling to get his son onto the council; Colin ‘Cubby’ Wall, the school principal, who is tortured by the fear that he may have molested students without retaining any memory of the fact; local doctor Parminder Jawanda who supports keeping The Fields in Pagford, although her opinion is possibly influenced by her infatuation with Barry Fairweather; and Terri Weedon, a drug addict and prostitute from The Fields, whose daughter Krystal takes responsibility for caring for her young brother Robbie- among many other characters. Their partners and children resent each of them, all for various reasons, and there is barely a happy person amongst them. It’s all rather sordid in a petty, pathetic way. It’s not surprising, then, when posts under the name ‘The Ghost of Barry Fairweather’ begin appearing on the parish’s online forum, spilling the dirt on one person after another.

The narrative swings from one family constellation to the next, and gradually tightens its focus on two tragic deaths that make the election seem tawdry and petty. By this time, the pace of the book had really picked up and the majority of the characters were firmly established. But I just found myself saying “This is stupid!” as the ending became increasingly fast-paced and melodramatic. The ending was just as bleak as the whole scenario had been, and I felt as if some of the grubbiness of the book had rubbed off on me.

I gather that much of the ire against this book comes from a disappointment that it had none of the magic of Harry Potter. There’s certainly no magic here. Because of its provincial town setting, some have likened it to Middlemarch which likewise has a large cast of characters, going about their small, ultimately insignificant lives. But this is much grittier and nastier than Middlemarch, with its complexity laced through with snarkiness.

My rating: 7/10

Sourced from: a gift.

‘Everything lost, everything found’ by Matthew Hooton

2025, 304 p.

Are there more books being published about the slide into dementia and confusion, or it just that I perceive it that way because of my own fears? Writer and academic Matthew Hooton is rather too young to be facing this situation himself, but he captures well the slipperiness of memory in this beautifully written book. If you’re looking up ‘Matthew Hooton’ to find out more about him, you’ll find that unfortunately for him, he shares his name with a former National Party politician from New Zealand. But there’s a certain irony in that because Jack, the narrator of Everything lost, Everything found also shares a name with another Jack in Henry Ford’s rubber plantation in the Brazilian Amazon, where he travelled with his parents in 1929.

There are two threads to this book. One is Jack’s memories of Fordlandia in Brazil, a cookie-cutter American suburb transplanted into the Brazilian jungle, under the control of the morality agents charged with carrying out Henry Ford’s vision for a colonial outpost to establish rubber plantations in the jungle, while gradually easing out reliance on native rubber-gatherers. The second thread is that of Jack’s life in Michigan, in what is now a deserted Ford Factory town, as his wife Gracie is sliding into dementia and a slow death with cancer.

The descriptions of the jungle are just gorgeous, and the jungle itself seems to take on a personality. But it is a malevolent personality: taking Jack’s mother’s life in a caiman attack on the river, and driving Jack’s father into his own madness in searching for his wife’s body in the jungle. A man half-dead from exposure and the jungle’s flesh-eating insects staggers into Fordlandia, and Jack himself is not sure whether it is his father or not. Young Jack himself is forced into a battle with the jungle as he and Soo, a young Korean girl who had worked in the sanatorium laundry, try to escape the morality agents who have shopped her to the Japanese.

I read this book because I had recently read Hooton’s Typhoon Kingdom (review here) and at first I was struck by the difference in setting between his earlier book and this one. But Korea (where Hooton lived and worked for some time) works its way into this book as well, when Soo explains that she is Korean royalty has escaped the Japanese in their takeover of Korea early in the 20th century. I’m not sure whether this strains credulity or not.

But there is no difficulty at all in watching the older Jack, seventy years later, defiantly trying to stay in his family home as his life revolves around visiting his wife in the nursing home. Jack’s relationship with his divorced daughter Jess is strained, and his grandson Nick is a mixture of solicitous and off-hand adolescence as he is trying to negotiate his own relationship with his father.

In fact, one of the things that really impresses me about Hooton’s writing is the way that he is able to emotionally inhabit someone that he clearly is not: a Korean comfort woman in Typhoon Kingdom and an old man here. His characters have an authenticity and layers of complexity, and their dialogue and tone is distinctive and convincing.

The two story lines become increasingly intertwined, as Jack himself becomes more addled, and as the past colonizes the present, not unlike the colonization attempt of Fordlandia. Jack’s narrative voice is comfortable and engaging, and as a reader you want things to be better for him.

I really enjoyed this book. In one of those little twists of coincidence, I read a review from 1925 of Henry Ford’s rather burnished autobiography, which was written before the establishment of Fordlandia and some of the more unsavoury aspects of Ford’s politics. Moreover, I had only recently read Hooton’s earlier Typhoid Kingdom, and so the Korean aspect was familiar to me as well. But quite apart from that, I just enjoyed the beauty of the descriptions, the poignancy of loss and grief, and the sheer humanness of it all.

My rating: 9/10

Read because: I enjoyed Typhoon Kingdom and I saw that he had a new book out

Sourced from: Yarra Plenty Regional Library

‘The Lover’ by Marguerite Duras

1984, 128 p.

One of the very best things about belonging to a book group is when you go along, thinking that a book is a bit mediocre, and you leave having been introduced to a swathe of subtleties and themes that you just hadn’t thought of before. This is what happened with me at the Ivanhoe Reading Circles’ discussion of Marguerite Duras’ The Lover.

The Lover starts and ends with the reflections of a 70 year old woman, which was the age that Marguerite Duras was when she wrote the book. Although she later distanced herself from the book, claiming that it was a “pile of shit” that she wrote while she was drunk, it closely follows the contours of her own life and could probably best be classed as fictionalized memoir. It is set in Indo-China, then under French rule, in the late 1920s. Both the title and much of the narrative revolve around an affair she conducted with a man twelve years older than her, when she was aged only fifteen. It is a consensual relationship, although she treats her lover with a rather patronizing pity, knowing that as a Chinese man he cannot hope to marry her as a white woman. The 70 year old narrator claims that the girl (who alternates between ‘she’ and ‘I’) is no victim here; that she is hungry for the physical act and that she gains confidence and status through the affair. She does not love him, or at least she claims this, but he is humiliated by the relationship, and later confesses that he has always loved her. I found myself thinking of Nabakov’s Lolita written from Dolores’ point of view, (acknowledging that Dolores was younger, and Humbert was older), in this case without the lens of paedophilia and in this case further complicated by issues of class and colour.

The title and the reputation of the book rest on the affair, but that is only part of the story and on the second reading I found myself even more aware of the other aspects of the novel. The girl is white, her family being French in a French colony. Her mother is a widowed schoolteacher and the family is poor after her father’s death and following the disastrous financial purchase of a ‘concession’ in the rural countryside. The girl’s mother, who suffers from bouts of mental illness, is nonchalant and even complicit in her daughter’s affair with this rich Chinese older man (although twelve years is not an excessive age difference, and in France then and now the age of consent is 15). He gives her money, and the family needs it, especially as her older brother is siphoning money from his own family to feed his opium addiction. Her hatred of her older brother is sustained throughout her life, especially when her younger (but still 2 years older) brother dies.

The book is not easy to read. Many times she returns to the image of the girl on a ferry crossing the Mekong River, dressed in a faded silk dress with a belt belonging to her brother, gold lame shoes and a pink-brown fedora. This is how her lover first saw her, and this is how the 70 year old her sees herself looking back. The narrative is shattered, switching repeatedly between first and third person, interspersed with flashbacks and flashforwards. There is a flatness of tone throughout, as if the book were being narrated at a distance in a monotone.

I’m pleased that I read it a second time. I realized on second reading that the repetition and fragmentary nature of the narrative was not going to resolve itself miraculously at the end, and I slowed down to savour it more. Her affair – or whatever you would call it- as a 15 year old, her childhood in French Indo-China, her yearning to write, the paradox of ‘pleasure unto death’, memory and madness are themes that she returned to again and again in her writing. She might have decried it as a pile of shit, but it’s not.

My rating: on second reading 9/10

Read because: Ivanhoe Reading Circle selection

Sourced from: purchased e-book.

Other reviews: Anthony Macris in The Conversation