Cormoran Strike books, written by J. K. Rowling under the nom-de-plume Robert Galbraith, are for me a long-form type of comfort food. Very long-form, because like the Harry Potter books, these seem to be getting longer. Lethal White is the fourth in the series, and it comes in at a hefty 784 pages.
Detective stories are a genre, with recurring themes which are both part of their appeal and part of their frustration. In the case of the Cormoran Strike books, how long can Galbraith keep the unresolved sexual tension (UST) between Strike and Robin going? This book starts off with Robin’s wedding to the insipid Matthew. Surely a marriage should dampen any progress in the UST realm, but this is not to be. But how many more volumes can Galbraith keep this going? And surely if the UST becomes resolved, that will be the end of their relationship because who wants a married-couple detective agency? And on an unrelated theme, why doesn’t Comoran do something about his throbbing stump where his leg was amputated? Surely additional surgery is in order, or a new prosthesis or something! Moreover, how many more times is Robin going to end up in peril as the case draws to its close? Although, having said that, poor Nikki in ‘Silent Witness’ spends much of her time kidnapped and threatened- it seems to go with the territory that the female investigator- while her male counterparts need to work out how to ‘rescue’ her. But I guess that all these formulaic aspects are part of the genre.
Set during the London Olympic Games, Strike is approached by mentally ill man, Billy, who says that he saw a child being buried years ago. Is it true? At the same time, Strike contracted by politician Jasper Chiswell (Chizzle) to investigate blackmail for something that was not illegal years ago, but now is. As it turns out, the two cases are connected.
Meanwhile, Robin has married Matthew-and she is unhappy from the start. Strike encounters his past lover, Charlotte, who is now pregnant with twins and unhappily married too. Strike is in an uncommitted relationship with Lorelei, who wants more from the relationship than he can give.
Galbraith introduces a huge range of characters into the book, but somehow manages to keep control of them all. I like the way that the author has Comoran or Robin sit down and mentally draw the whole case together, neatly encapsulating it for this reader who can find herself completely confused. It’s like drawing a deep breath, before plunging underwater again. Within this complex ensemble, Galbraith has a number of pairs (fitting, really, for a parliamentary detective story where ‘pairing’ is part of the political scene)
Each chapter is headed by an epigraph from Henrik Ibsen’s play Rosmersholm (1886). I must admit that I don’t know the play, and Dr Beatrice Groves has done the work of drawing the links between Lethal White and Ibsen’s play. As with many of Galbraith’s books, the reason for the title is with-held until well into the book. In this case, we need to wait until Chapter 42 to learn that Lethal White is not a form of cocaine, or the nick-name of a thug, but instead is a horse disease.
I’m not normally a detective-fiction fan, but Galbraiths are different. I will keep turning to the Cormoran Strike series when I have tired of other genres or want to escape from non-fiction into a well-plotted if formulaic series that keeps me reading until far too late at night.
My rating: 8.5/10
Sourced from: Yarra Plenty Regional Library.
The Resident Judge of Port Phillip 